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Ampeg B100r

I've had one for 6 years, and it's never given me a problem. Just thought I'd speak up for one that works perfectly! :)
Also, I've used it on festival stages and been able to hear myself, with a drummer present, just fine. Sounds great with any of my basses, active or not.
I didn't realize they weren't real wood... that's disappointing...
But I still love it and recommend it.
 
My B-100R is approaching 6-years old too with out any issues. It's been a great little amp for the money and I'm absolutely satisfied with mine. The B-200R sounds interesting, but I doubt I'll move up as my B-100R does everything I want it to. I have other rigs to use for bigger needs.
 
Between my brother and myself we've had three B-100Rs over the past five or six years (I sold my first like a fool and almost immediately bought another). The only issues to report are a burned out power light on my bro's and a POP when the amp shuts down. My brother's received some water damage when our practice space leaked, but the darn thing kept on ticking.

I love my B-100R and miss the days when I was able to rehearse and gig with it. I can understand why people don't like the tone, but for me it's perfect. Also at the moment it's my practice amp, and I don't have a problem getting a good sound at lower volumes. In fact for my purposes the amp excells at that.
 
sickest beast said:
am i the only person on the board with a b-200r?

Not necessarily. Someone else here may own either the B200R or the BA115HPT, which may have essentially same electronics in a cosmetically different box. I'm hoping someone from Ampeg will clarify this issue.
 
tightbidness said:
.....The only issues to report are a ...... POP when the amp shuts down. .......


From what I hear, that pop is a "feature" of the B100R. Sounds bad but you get used to it and it doesn't hurt anything. Though I make sure the PA is turned off before I turn off the Ampeg when I'm going direct to the PA. That pop doesn't do the PA any good.

Later this year I'm going to invest in a Shure SM57 and mike it instead of going direct.

It's a keeper for me, the only issue I've had is a broken knob but that was my fault. Whacking it with a mic stand doesn't do it any good. :hmm: My G&L L-2500 tribute sounds awesome through it! :D
 
megiddo said:
From what I hear, that pop is a "feature" of the B100R. Sounds bad but you get used to it and it doesn't hurt anything. Though I make sure the PA is turned off before I turn off the Ampeg when I'm going direct to the PA. That pop doesn't do the PA any good.

Later this year I'm going to invest in a Shure SM57 and mike it instead of going direct.

It's a keeper for me, the only issue I've had is a broken knob but that was my fault. Whacking it with a mic stand doesn't do it any good. :hmm: My G&L L-2500 tribute sounds awesome through it! :D

Mine doesn't do that.
 
...but I love it anyway. Where else can you find real tone that doesn't require a crew of roadies to carry around? All the other small combos I checked out had tweeters and sounded bad, even with the tweeters turned off. Ampeg knows what I need.:D