• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Ampeg Heritage 810 vs Bergantino NV610

I've not played the Heritage, but have played the 810e and NV610. I also own an NV412. The thing about the 810 (to me) is that it seems to make everything sound like Ampeg - I find it to color everything. The Berg feels more transparent, to me. BTW - this isn't bad. I actually love the Ampeg tone and find it warmer sounding than the Berg (though not as even and smooth throughout). IME only
 
Me,too. I even promise to take both to the gigs (wait, what am I saying) and swap them out between sets to give my detailed analysis. Every room will be different so they'll make for interesting reports, I promise.
 
I've not played the Heritage, but have played the 810e and NV610. I also own an NV412. The thing about the 810 (to me) is that it seems to make everything sound like Ampeg - I find it to color everything. The Berg feels more transparent, to me. BTW - this isn't bad. I actually love the Ampeg tone and find it warmer sounding than the Berg (though not as even and smooth throughout). IME only

+1. These are my exact thoughts, having played both cabinets.

I also think that the Berg will cut better in a busy mix, meanwhile the Ampeg sounds better by itself than the Berg.
 
Just to stir the pot ;) , I have owned the Ampeg 810,Berg NV610 and currently one of the new Fender neo 610s. While if I had the space I would probably favour the Ampeg over the Berg, the new Fender 610 really does acquit itself well on the tens front. For a while I owned both the Fender and Berg 610s together so was able to compare them side by side - at the time I felt the Fender could do the Berg thing pretty well, plus went deeper and higher if I wanted it to (and was much lighter, with a very naturally integrated horn). I sold the Berg 610 and have not regretted it since.
I remain a Bergantino addict - my favourite cab is my Berg NV215, with an NV115 a close second.
Of course all the above is IMHO - different folks etc....
 
The Fender 610 was really impressive. I only played a 100T through it. It was a nice, even cab. Very naturally voiced and vintage sounding - despite the ports, horn and NEO speakers. Would love to try it with the SB, which is a ball to play.

If I could ever score an NV215, I'd jump at it...
 
Hey Tom, did you ever do the H810 - Nv610 comparison?

Gosh, I'm sure I did. I don't have the Heritage SVT-810 anymore, though. I'll have to look for my notes. Off the top of my head, I recall the H810 as being more big/full/warm and the NV610 as being more articulate in the middle to upper mids. Take that with a grain of salt, though...
 
Gosh, I'm sure I did. I don't have the Heritage SVT-810 anymore, though. I'll have to look for my notes. Off the top of my head, I recall the H810 as being more big/full/warm and the NV610 as being more articulate in the middle to upper mids. Take that with a grain of salt, though...
That's how they've come off in comparison recordings I've heard, though I still can't say I've had the honor of the NV610 in person. But on recordings, they seem a tad more polite than the H810e. Not by much, though...still in the realm. Wouldn't take an axe to it if it showed up on a backlined gig ;)
 
I had a chance to spend some time with a Heritage rig a while back. I'm not sure if we are ever going to run our full article regarding the Heritage head and 810, so here are some of the pics I took. For comparison's sake, that is a 2008 SVT-810e and my '74 SVT next to the Heritage SVT-CL and Heritage SVT-810.
The two cabs definitely sounded different. The Heritage had more low mids going on and was more smooth up top. The 810e had more upper midrange clarity.

Hi Tom, I had a great opportunity to compare a whole bunch of SVTs and 810s a few years back (1990 I think). I turned up at John Henry's rehearsal studio, and they had set up 2 or 3 cabinets and 2 heads for me to choose from for a tour. Some sounded a lot better than others (they were all very well used). Because they varied so much I got them to bring more out of the store room until I had 5 or 6 cabs and at least 4 heads. From this collection, I picked 2 heads and 2 cabs that I thought sounded best - and frankly, the ones I ended up with sounded awesome! The interesting thing though was that they were all the same model in theory, but they varied massively in tone and character.
 
  • Like
Reactions: tombowlus