Sure, you can see how I'd deal. I'm not going to take a hit on the venue that books me to do sound because you insist on thinning out your bass tone to the FOH feed. I don't care what you do on stage as long as you don't overpower the FOH, as an FOH engineer.
...and how long you've been doing things has absolutely zero effect on how I feel about any of it. In fact, I find most of the younger players are much better educated and willing to go with whatever sounds good to the FOH as long as it doesn't affect their on stage monitoring.