...I fear that even if I like it I won't be able to use it on every gig. Last week I had another idiot sound-guy who actually made my Full Circle feedback.
If there are gigs on which you can't use the Ehrlund, I'd say that will not be the result of shortcomings of the Ehrlund. Rather, they would be circumstances (such as having an idiot sound-guy) in which just about no pickup would suffice.
I've thrown the worst situations at the Ehrlund and figured that it would come up short some time-- but no!
...I found that the right cabinet is just as important, which surprised me to be honest.
I agree with you but I'd like to relate an example that seems both counter and counter-intuitive. I have an old Behringer BX-1200 where my combo practices. While that little $200 rig is hardly great, I always felt that it represented a huge bang for the buck. Yes, yes, my gigging rig is far better-- but 5-6x better? Anyway, when I plug the Ehrlund and its pre-amp into that Behringer, I'm telling you-- the amplified sound is far better than is often achieved with lesser pickups feeding far more expensive and well-known rigs. I think I know why that is.
I'm going back to the attack/decay profile characteristics that I identified in these pages a while back. I'm convinced that when you get that right, sins of less-than-great tonal balance can be forgiven. More specifically, the tonal balance of the cheap little Behringer is hardly what most of us would prefer on a gig. That just doesn't seem to matter as much when you get the attack/decay right as the Ehrlund seems to do. Of course, couple the Ehrlund with the types of rigs we usually discuss here as being preferred and it's downright amazing.
I hope others get a chance to give this a try. Go ahead, plug the Ehrlund into a lesser rig and listen to what you get. Just for the record, I'm not recommending that people choose cheap little rigs.
