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Any fun songs to play on a 5 string?
- Thread starter Maxwell Tremont
- Start date
Probably my favourite 5-string song
(Ok, strictly speaking, it's a 6-string song, but who cares about the high notes, right?
)
(Ok, strictly speaking, it's a 6-string song, but who cares about the high notes, right?
)
I confess:
The reason I "needed" a fiver is to play Michael Bublé's "Everything" since that was our weddingsong .
The reason I "needed" a fiver is to play Michael Bublé's "Everything" since that was our weddingsong .
Yeah, playing up the neck is the main benefit to me. Even if I never need anything below low E, I love a 5- or 6-string.
Ain't It Fun by Paramore. The low C# pretty much requires a 5er unless you are tuning BEAD.
Anything in E-flat, D, or C, even B: Now you DON'T have to go back to the 1 on the A or D strings.
NOTE: Don't get into the 'I just got a five string' new-bass-itis and drop those depth charge low notes every chance you get. This really screws with everyone else's head, and worse, can really unsettle a song. Play to the song.
If you really want to see what the bottom of the deep is like, check out one of the BeeGees last singles, 'One', particularly a live version from a Vegas gig you can find on YouTube.
The handful of extra low notes is handy in the right spots, but for me, the real advantage is being able to play a two octave range across the fingerboard without shifting, in a way you can combine first and second positions (shoot to play low E on the B string), and transposing is a breeze.
NOTE: Don't get into the 'I just got a five string' new-bass-itis and drop those depth charge low notes every chance you get. This really screws with everyone else's head, and worse, can really unsettle a song. Play to the song.
If you really want to see what the bottom of the deep is like, check out one of the BeeGees last singles, 'One', particularly a live version from a Vegas gig you can find on YouTube.
The handful of extra low notes is handy in the right spots, but for me, the real advantage is being able to play a two octave range across the fingerboard without shifting, in a way you can combine first and second positions (shoot to play low E on the B string), and transposing is a breeze.
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