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Alright, maybe not the best thread to ask.. but : if I look at the size of speakers, I always think about giving extra low, or supporting the lower stuff better.
Lets say I have a 5 string bass and tune the low B down to A, what is better to use : 10 inch, 12 inch or 15 inch?
Alright, maybe not the best thread to ask.. but : if I look at the size of speakers, I always think about giving extra low, or supporting the lower stuff better.
Lets say I have a 5 string bass and tune the low B down to A, what is better to use : 10 inch, 12 inch or 15 inch?
Nowadays with these high-xmax neo speakers you can get, even the importance of size for moving air has diminished. So you really can't tell a thing from the size of the speaker alone.So... it's just about moving air?
So... it's just about moving air?
That's a function of it not having a lot of mids and highs + the room causing standing waves to bounce around and multiply. Now if that 18" was designed to have more mids and highs (and yes, it can be done, although it's not very practical), your results would have been different.More than that- it's about how you perceive the low notes on stage, and how well the speaker cone will reproduce the low notes. I will probably start a war again, but in my experience, a wad of tens sounds better to me close up, than 18's, given an equal cone area, and similar, well tuned ported boxes. But the 18's tend to sound better away from them - IOW I think an 18 will project more than a group of tens will. And a 20 or 30 will project more, but I doubt you'll hear much tone out of it. OTOH, larger speakers will sound different depending on where you are standing, relative to the cabinet. And I think that proximity, speaker location in relationship to your ears, and room coupling are overlooked in the discussion of speaker size and cabinet design. I played one of those 21" EV's way back, at a music store, using a Fender Showman amp. It was in a tuned slot ported box, designed for that speaker - I couldn't hear much standing 3 feet away from it, but the thing was rattling everything in the room...
21 neo's spec great, anyone use/try them?
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21 neo's spec great, anyone use/try them?
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Before assuming it would be a great choice, it would be helpful to understand HOW the spec's might relate. This driver has potential under SOME conditions but IMo would be a poor choice for MOST conditions that a bass guitar cabinet might be used in. Look closely at the response plot and notice what may be happening at the low end, and the box size for reasonable tunings get's pretty large for bass guitar applications IME. Also I would expect the mid voicing to be both muddy and un-natural as the higher sensitivity in the 500-3k range is undoubtedly augmented by some serious beaming (not a problem in subwoofer applications)
From what I gather looking over this driver's docs, it looks targeted towards a large ported box subwoofer applications, with DSP correction, which is why the large Xmax and power handling are so important. There's no free lunch, and this is what it taked for THIS KIND of pro audio application. It's a good example of a very thoroughly engineered and robustly built driver that doesn't match a bass guitar application as well as other drivers (including those in their own line) might.