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i really do.
hissy and feedback quick with any real kind of gain.
I can't see needing more treble than my Bag End's or SWR 12-Packs/Stacks produce on their own.
JR
will it create probelms with overheating or other issues if you keep your tweeter all the way off? ive heard of peoples cabs catching fire or melting the attenuator. is there a way to avoid this? keeping the tweeter on real low or off ok, or will it cause probelms? also, how hard would it be to disconnect the tweeter and is this smart?
Just my opinion, but I'm not sure whether we should be calling it more (or less) treble. To me, it's about the CHARACTER of the treble being produced by tweeters. Or not being produced without tweeters.
*snip*
I'm not pushing back at all on those who prefer a pure paper cone sound... I get that. What I don't get is 'tweeters suck'. For the many of us who like a crisp, clean, modern tone, having high quality crossovers and tweeters in cabs like Epifani's, Bergantino's, etc. is a revelation, and allows our stage sound to much more closely mimic the front of house tone through a DI (PA's have 'tweeters', and they don't seem to hiss or sound 'harsh')
I'll also post again, that a lot of 'tweeter hiss' and harshness is due to user error.. i.e., thinking that the arbitrary 0db, 'flat' or 'neutral' label on most attenuators is actually 'flat' or 'normal' operation. For most circuits that I'm familiar with, 9 o'clock sound very balanced and natural... anything over noon in some circuits can quickly get 'non-musical' and harsh.
Agreed. A cranked tweeter sounds horrible, but one that's on to just tastefully add a little tiny touch of high end shimmer sounds great, even in more old school settings like my bands. It's called an attenuator...use it!
