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Anybody else went back to rounds?

Bright flats sound like crappy rounds. Good flats sound like rounds with tone rolled off.

Not universal, but I'm not a huge fan of flats. I have some tijf's, and some ebmm cobalts that I enjoy. But beyond that.... Not a fan of flats.
 
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Bright flats sound like crappy rounds. Good flats sound like rounds with tone rolled off.

Not universal, but I'm not a huge fan of flats. I have some tijf's, and some ebmm cobalts that I enjoy. But beyond that.... Not a fan of flats.
I haven’t found that to be true at all- that punchy “thump” I get with flats and palm-muted plucking or picking is nearly impossible to replicate with rounds, regardless of tone knob settings or even external EQ’ing
 
I haven’t found that to be true at all- that punchy “thump” I get with flats and palm-muted plucking or picking is nearly impossible to replicate with rounds, regardless of tone knob settings or even external EQ’ing
Cool. I haven't found that to be true at all. Deader nickel plated rounds with the tone rolled off have a ton of thump to me.
 
I don't think of flats as a generic thing because they come in so many flavors. Same with rounds.

I just find string sets I like and can rely on whether flats or rounds and keep them handy for when a new bass comes in and I want to find the string set that works best on that bass for me. I don't care if it's rounds or flats, just so I feel as though I've optimized the bass for my purposes.

If I mod a bass, I might have to change the strings to pair well with different pickups, which is fine. I enjoy finding each bass's happy place and sticking with it.
 
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Kinda - have Cobalt flats on my Stingray fretless and probably always will, have flats on a P and probably always will… just re-tried/auditioned with Nickel Lo Riders on a J 5 after running Pressure wounds for a few years and so far I love them but we’ll see if that lasts.
 
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Back in the late 60's when I started playing everything came stock with flats. In the 80's I started to notice the bass on many recordings sounding brighter with a lot more tone. I asked my guy at Fawley music what I was hearing and he said "Rotosound" and sold me a set. I've been using rounds ever since. I keep a set of flats on my G&L LB-100 for the off chance I need it but, I'll never use flats exclusively again.
 
I exclusively played flats for about a decade. Pyramid Golds on a Stingray for rock, TI Flats on a G&L SB-1, Stingray5, G&L slotpole L1K, Fender 51P RI, probably a couple other basses I'm forgetting.

I still have that same first set of TI jazz flats on the SB-1; it's a late 80s, and my first bass. I remember I installed them right around the time my first kid was born - 2003.

I didn't know the inside scoop on where to buy them for $75, so maybe I paid $90 back then?

That works out to about 35 cents a month.

Maybe expensive to play around with to see if you like them, but a lot cheaper than keeping rounds sounding like rounds.

I've moved to DR Pure Blues for my main instruments - I'm in an original rock band and having aggressive pick sounds is important to me. I like the nickel composition of them to keep harsh highs down, and the round core feels nice and flexible so I have a right hand response I'm used to. I also use string mutes and can roll off the highs to get close enough to flats for live work. I still bring out the flats in the studio.

That said, I love everything about how the G&L CLF L2500 S750 I picked up in late '23 sounds and feels with their D'Addarios. It's time to change the strings and I'm worried about wasting a set of the DR - I like so much about the stock setup. But, as I do... I digress...
 
I used flats predominantly until I've got my first Thunderbird. I didn't want to waste any "tone" of it, which is an expensive bass! Later I use mainly rounds on my main basses, but sometimes I keep a side bass with flats for the "thump".
 

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