• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Anybody know anything about clarinet?

Heeeeerrrrrreeeessssss, Benny!

Berni_Rich_01.jpg


You got to admit, they do look a lot alike in these photos.
Berni_Rich_45.jpg
 
I detest listening to a good saxophonist who had to double or triple on clarinet just so he could play the two or three cues from the "Woodwind III" book in their high school musical and then never had the foresight to abandon the instrument immediately after the show closed.

I resemble that remark. I actually can play saxophone reasonably well, and doubled on alto/bass clarinet for a couple of professional musicals because I was good *enough* to get away with it, and hey, free money. I've never considered myself to be a clarinetist, though. To the great relief of everyone, I have not picked up a clarinet of any kind since my last doubling gig 30+ years ago.
 
  • Like
Reactions: Bob_Ross
I also know there has been a great deal of scholarly debate regarding Squidward's instrument. But most woodwind instructors agree it is a clarinet despite being under detailed.
One of my favorite quotes:

"SQUIDWARD, I USED YOUR CLARINET TO UNCLOG MY TOILET!" -SPONGEBOB SQUAREPANTS
 
Last edited:
  • Like
Reactions: PWRL
Just fishing for leads. Google is not really helping, or actually offering waaaay too much help, whichever.

Anyway I just need to know what I have here. Junk, meh, decent but needs work, jazz favorite, symphonic gem? LOL well all I can say for sure is that it's a Xinghai and is complete in a hardshell case. I vouldnt even tell you if its case is aftermarket or brand original or age of either.

I'll post pics if anyone thinks they can help.

If this still falls under the TB rules about "how much is it worth" threads, understood. I really just need a lead to follow up.

TIA
Band director of 23 years here. I've seen a lot of clarinets come through my band halls, including strange brands and some with no markings at all. Xinghai is one of a couple of major clarinet makers in China. They actually make clarinets under several different brands - including major brands - to different specs and out of different materials. However, that doesn't mean it is a good clarinet. If the only marking on it is Xinghai then is a copied from the specs of another brand (or several different brands) but with lesser quality materials. In fact, every major clarinet maker that has their clarinets made in China (by any company) will have their brand name, usually a model designation, and either China or Made in China on it, not the factory who made it. It's probably junk but even junk can be made useful depending on what you want to do with it. Post pics and I'll know more.
 
  • Like
Reactions: basscooker
Since moving to MN I've been mostly working as a bassist and clarinetist. In fact I lost a gig on bass because they couldn't find anyone else who could cover the clarinet book. It was kind of funny hearing that most of the bassists called who couldn't do it gave my name as the guy to call.

Post the pics. Odds are it is worth pretty much nothing as there is only 1 HR clarinet brand worth considering and a handful of wooden instrument brands worth anything to a serious player. If it is good enough it might make a decent beater for a player, but probably not solid enough for a kid to learn on.
 
I started on clarinet and learned oboe, sax, and flute. I'm a terrible oboist and that's my best woodwind.
One thing that might be of interest to you guys is that smaller woodwinds that are actually made of wood (some oboes, flutes and clarinets) do not appreciate as they get older like many string instruments. Oboes in particular can be "blown out", which is to say that the moisture that condenses in the instrument through repeated playing eventually deforms the inner surface of the bore rendering it less resonant than a newer instrument. Less of a problem for larger bore instruments like flutes and clarinets, but it may come as a surprise to bass collectors. So they actually depreciate in value significantly if "road-worn".
 
I started on clarinet and learned oboe, sax, and flute. I'm a terrible oboist and that's my best woodwind.
One thing that might be of interest to you guys is that smaller woodwinds that are actually made of wood (some oboes, flutes and clarinets) do not appreciate as they get older like many string instruments. Oboes in particular can be "blown out", which is to say that the moisture that condenses in the instrument through repeated playing eventually deforms the inner surface of the bore rendering it less resonant than a newer instrument. Less of a problem for larger bore instruments like flutes and clarinets, but it may come as a surprise to bass collectors. So they actually depreciate in value significantly if "road-worn".
I don't know if it is done with flutes or oboes, but a number of techs have had good luck with re-hydrating the bores of older clarinets. Brings bores back to spec and unbinds mechanisms that have jammed due to wood migration. I have had a number of old - '20s to '30s - clarinets that were fabulous. It isn't particularly expensive to do, but it is a pain so most clarinets aren't worth the effort/time from a good tech.
 
Clarinet is the best job in a Trad. New Orleans band. Constant embellishment and counter melody. Until I heard The Raunch Hands cover Charlie on the MTA, I though I would play the clarinet. This is Tuba Skinny with Ewan Bleach one of the few masterful clarinet players they have had.
this is Craig Flory (and Erica Lewis singing...)

I lo-o-o-ove listening to and seeing Tuba Skinny. They're the real deal! If my wife and I can ever coordinate our good/bad health periods we'll go back to NOLA and see them on the street again.

I don't know if it is done with flutes or oboes, but a number of techs have had good luck with re-hydrating the bores of older clarinets. Brings bores back to spec and unbinds mechanisms that have jammed due to wood migration. I have had a number of old - '20s to '30s - clarinets that were fabulous. It isn't particularly expensive to do, but it is a pain so most clarinets aren't worth the effort/time from a good tech.
There's a product called bore oil that's made for wood instruments. You work a little into a swab (separate from your regular swab) and draw it through the bore a couple times. Do it about every four months and it'll extend the life of the horn noticeably. Prevents cracking if you live in a place where humidity is bipolar.
 
Last edited:
There's a product called bore oil that's made for wood instruments. You work a little into a swab (separate from your regular swab) and draw it through the bore a couple times. Do it about every four months and it'll extend the life of the horn noticeably. Prevents cracking if you live in a place where humidity is bipolar.

That's actually a subject of strong opinions in the clarinet world on both sides. I oil twice in the winter, usually the barrel and top of the upper joint take some. End grain is where it is absorbed so drawing it through is minimally effective for crack prevention - but it does a good job of saturating pads if not done carefully.
 
That's actually a subject of strong opinions in the clarinet world on both sides. I oil twice in the winter, usually the barrel and top of the upper joint take some. End grain is where it is absorbed so drawing it through is minimally effective for crack prevention - but it does a good job of saturating pads if not done carefully.
+1
It's a good idea to get a bit of learning about the right way to go about it before saturating a rag on a string. It's like truss rods and torque wrenches being a bad combination.