- Apr 29, 2003
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- Disclosures
- Contributor- Bass Musician Magazine | Marketing Manager- Trickfish Amplification
I guess it's finally time to admit that the only basses that stick around long term here are ash body basses. Some of them are heavy norther, some are super light swamp. Honestly, most of the time it's ash/maple, provided that they have a good midrange voice and aren't too scooped. I think for solid body fretted basses, Im really only comfortable with the attack and frequency presentation of ash, when it's done right. I always want to love alder, mahogany etc. as a body wood, but 9/10 it just doesn't quite sit right. 4, 5, 6, J, P, humbuckers, bolt on, neck thru, theyre all just ash. Minus that nice Koa Taylor in the back.
Anyone else find that they gravitate to one type of wood for a body or fingerboard? Besides neck wood, the body and board seem (to my ears) to have most impact on tone. Unless you're one of those that believe 'all woods sound the same and anyways, its all in the fingers', in which case, perhaps this thread may not be for you
Anyone else find that they gravitate to one type of wood for a body or fingerboard? Besides neck wood, the body and board seem (to my ears) to have most impact on tone. Unless you're one of those that believe 'all woods sound the same and anyways, its all in the fingers', in which case, perhaps this thread may not be for you




