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Anyone moved away from bothering with a B-string?

I added a five and gigged it for a few years. I didn't like how it changed my way of playing, more modern than 'classic', so I went back to 4s. However, I missed the low B on occasion - so I built a bass strung BEAD and added Hipshot D tuners to a couple of my 'regular' players.

Now I really don't miss the 5 at all... 'cept it looked real cool! ;)
 
Yeah, within a week of getting a 5-string.

There are just so many cumulative hassles innate to the concept relative to any compelling advantages that to blow off 5s was a very easy and obvious decision.

I think if people understood the traditional, formal role of bass instrumentation in ensemble music, they would make a lot more conservative and sensible choices in their gear.

"Modern bass guitar" has become something very different from bass.

Who cares?
 
Not all that valid, really. You'll need more than five strings to cover the "whole" range.

With a low B you're merely covering "more" of the bass range than with four strings.

I said 'usable', which I suppose alludes to practical limits not of the instrument itself - taking those into account, I still think B0 is fine for me. Maybe A0 if you're offering.

Why not take it a step further and say that it isn't a bass if it has less than 12 strings and doesn't go down to 17.32Hz?

The "If it doesn't..." line was clearly just talking about how I felt, and was just meant to be cute, not taken literally...

http://en.wikipedia.org/wiki/Hyperbole

But the idea that there's life below E1 is clearly a popular one, or we wouldn't have 5 string basses.

Besides, a "real" bass only has four strings, commonly known as... The double bass, the string bass, upright bass, bass fiddle, bass violin , doghouse bass, contrabass, bass viol, stand-up bass or bull fiddle.

I had one for a while, but didn't like it - every note resonates totally differently. Of course some people love that.
 
Haha. I dont dislike 5s. I just enjoy playing 4s and the string spacing is much more comfortable. The guitarist friend I jam with has to get used to me. He plays 5er basses as well. He will be telling me how to play certain notes like I am on a 5. But then we adapt and get it done. I dont need to go lower! I use the E on my 4 like a thumb rest most times. :D Let me play my bass and fit what you're doing and shush. :ninja:
 
I've owned a Stingray 5 for about 9 years, now. It hasn't changed anything about how I play. For most of the gig, these days, the B string doesn't get used much. I still love the bass, though. I play it a lot. I also have a '70's Jazz with a Hipshot, a four string P/J and another four string Jazz. I have no trouble switching from bass to bass, now (it hasn't always been that way). Last weekend it was nice to play only four strings. Next weekend I'll play the 5 string again. To imply a B string is somehow a "bother" is kind of silly, to me.
 
I play both 4 and 5 string. For the 3+ hour country/rock band I play 5 string. Why? because some of the songs we do (both covers and originals) are recorded and sound better using the B string. You could play notes an octave higher on a 4 string, but me and the rest of the band agree that it doesn't sound good. You can also tune down a 4 string but that's going to require learning songs in a completely different position on your neck, or switch back and forth between basses. The 5er is simply more versatile for the songs I play without having to down tune or switch basses all night. I don't understand the hate by some on the 5 string, if your band is cool without you playing one fine.

i actually prefer playing a 4, but there can be no argument that versatility in any player (in sound and style) can potentially land you more gigs.
 
That's a good question. My 5er is active, and I wouldn't have it any other way. It seems to me that a B string on a passive bass would sound like it's seriously missing the earth shaking lows of an active bass IMHO............
Not Really: Remembering my Old Ibanez TR75 it sounded amazing. I'd buy it back if I could Find it.
 
I play a 5er when I need one, and play 4s when I don't - pretty simple, actually...

Regarding a good sounding B string, I've had no problem with that by using 5ers by EBMM, Spector, Ibanez, or Schecter - thru amps by either Mesa, Genz-Benz, or G-K, into cabs by Mesa... I'd say to have a good sounding B string, you can't go cheap when it comes to amplification...


- georgestrings

This!
 
I use a 5 in my main band and a 4 in my second band. There are definitely songs with my main band, which plays all kinds of styles, where I like to go below low E on the B string and play a D or a C down there. My second band is blues/classic rock and I don't need the B string so I don't use it.

5s and 4s both great, I really can't see spending so much time debating it ... but that's TB I guess. :bassist:
 
I love the extended low range of a good 5 banger. I swear, nothing sounds better than playing up high and then being able to throw in a low open B that's just fat, growly, and super supportive of what everyone else is playing. That in mind, I just can't 'rawk out' on a 5. They just seem too big for me to move around with comfortably, and I find myself doing more of an Ox thing the entire time I'm playing one. Right now it's a toss up between which I prefer more because of that one difference. Fortunately, I have no trouble switching between the two as I'm just as comfortable with both.
 
Played a 4 banger for 17 years then moved primarily to a 5er for the next 21 years.
In the last 7 years I've moved back to the 4 string, fretted and fretless.
Yeah I know that's 45 years. I just realized that while figuring out the numbers for this thread reply, damn!
I do still use a 5 string, it's just not my prime instrument.
I bring a 4 & 5 string fretted and a 4 string fretless to most gigs.