...I have pasted your post in the EBMM forum, and you will soon be besieged by crazed fan-boys who can find no wrong with "Big Poppa" basses!
OK WAIT---I own a Sterling single-H fretted 4, natural ash, tortoise pg. Absolutely beautiful.
It's my 2nd Sterling. Concern-
My 1st had a birds-eye neck, much nicer than the "plain" maple used now. No big, but there it is.
The compensated nut is a nice upgrade, I believe but here we go-
There MOST DEF is a problem with a lower output on the G-string. It's there. Yes, I can compensate with the amp eq, and have done pup adjustments, etc. etc.
It's kinda like they don't want to admit it's there!
I have seen this addressed on their Forum AFTER I noticed it (thought I was hearing weird), and so help me, what I got out of the posters there was "It's all good, etc. etc."
NOT- that it was/is a design/electronic flaw of some sort and should be addressed.
Apparently it's there on others instruments too.
I'm not here to slag MM's, I dig the Sterling and it gets a LOT of stage time, along with my G&L, my Tobias, my Warwick, and my
'69-P-Bass ! ! ! Too good to be true!
But that is an issue I have with EBMM, other than that, they are da bomb in every way re: build, tone, and feel.
Good stuff, but I think that there is a design flaw....
No?