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anyone not like musicman basses?

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Am I the only one who doesn't really care for Musicman Basses? I've played Bongo's and Sterling's and Stingray's and haven't been impressed...

I much prefer a Warwick... but at the same time I know alot of people despise them too...


AM I ALONE?
 
I've never been keen on MM basses either. I've tried numerous Stingray 4s 5s and a few Sterlings but I've never played one that has impressed me. I love the aesthetics of stingrays but they just don't seem to get on with me. The oil finished necks feel really uncomfortable and I've never been happy with the tone. Then again, I've heard some MM basses live that have sounded awesome but I can't get them to work with me. I'll also say that I played a brand new cherry sunburst 'ray before with a maple fretboard that suffered from sprouting frets that left with me a bitter taste in regards to MM.
 
I did not like the sound, or the finish - it seemed to 'produced' if I had to give it a quality.

I really dig basses with tonal variety and that have a natural wood finish, like Ibanez SR series and all the Warwicks.

And as far as fender's go, I don't care for them. I've tried as many as I could find, and I just don't like the tones on them.

I guess I'm an oddball :)
 
I absolutely LOVE my mid 90's Stingray4 with 3 band eq. I had a fretless version of it, too and it was totally awesome.
I always wanted a 5, but after playing a new one in a store I wasn't impressed at all. Didn't like the neck and the HH configuration for some reason didn't do it for me in the sound department.
I really like a Warwick Thumb 5, though...friggin sweet.
 
I like my stingray, but it has a signature sound, which some like and some don't. It's not as versatile as, say, a jazz, but that's kind of what I like about it- nothing else will sound like it. I like my FNA jazzman corvette, but it's a special edition with a MM humbucker and a single coil.
 
...I have pasted your post in the EBMM forum, and you will soon be besieged by crazed fan-boys who can find no wrong with "Big Poppa" basses!

OK WAIT---I own a Sterling single-H fretted 4, natural ash, tortoise pg. Absolutely beautiful.
It's my 2nd Sterling. Concern-
My 1st had a birds-eye neck, much nicer than the "plain" maple used now. No big, but there it is.
The compensated nut is a nice upgrade, I believe but here we go-

There MOST DEF is a problem with a lower output on the G-string. It's there. Yes, I can compensate with the amp eq, and have done pup adjustments, etc. etc.
It's kinda like they don't want to admit it's there!
I have seen this addressed on their Forum AFTER I noticed it (thought I was hearing weird), and so help me, what I got out of the posters there was "It's all good, etc. etc."
NOT- that it was/is a design/electronic flaw of some sort and should be addressed.
Apparently it's there on others instruments too.

I'm not here to slag MM's, I dig the Sterling and it gets a LOT of stage time, along with my G&L, my Tobias, my Warwick, and my
'69-P-Bass ! ! ! Too good to be true!

But that is an issue I have with EBMM, other than that, they are da bomb in every way re: build, tone, and feel.
Good stuff, but I think that there is a design flaw....
No?
 
I've never owned one myself but I played a Sterling that a friend brought to the studio and I wasn't impressed with the feel of the neck. I know Dave LaRue plays one and while I love his chops and playing, I really don't like his tone, which I picture to be the Sting Ray tone.
 
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