So, this is an admittedly academic issue that I've pondered for a few months: are all musical styles equally valuable? First, I'm an admitted jazz snob, but I'm genuinely curious about other practictioners views. Is a rockabilly tune as valuable as a Chopin nocturne? Are the Smothers Brothers as valuable as a Beethoven Sonata? Do they need to be? Or is it enough that they are all entertaining in their own right? Are the comparatively simple basslines of a bluegrass tune as *good* as a Ray Brown line on Joy Spring?
I've heard the sentiment that *all styles have something to give* and I appreciate the concept, but I'm having a hard time believing it. I still feel that jazz players need to be better musicians with better ears and training and classical musicians need incredible discipline and training than their bluegrass, country and pop players. I'm not dissing the bluegrass folk, because I'm sure that they have their skill too and that it's not the same as a classical player's skill, but still, I'm thinking that if a classical player will make the effort to learn the nuances of the bluegrass player's genre, it'll be easier for him/her than vice-versa. Okay, please tell me where I'm wrong.
I've heard the sentiment that *all styles have something to give* and I appreciate the concept, but I'm having a hard time believing it. I still feel that jazz players need to be better musicians with better ears and training and classical musicians need incredible discipline and training than their bluegrass, country and pop players. I'm not dissing the bluegrass folk, because I'm sure that they have their skill too and that it's not the same as a classical player's skill, but still, I'm thinking that if a classical player will make the effort to learn the nuances of the bluegrass player's genre, it'll be easier for him/her than vice-versa. Okay, please tell me where I'm wrong.