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It's a great little bass. Don't get me wrong, I'm a perfectionist, and you can see that in my questions on Talkbass about the bass. But the build is great.
I want to, but it's become a stiff. I'm worried I'll break it if I go further.
It's tight when I've loosened the strings ):You could remove the string tension, then tighten the neck a bit so it's not fighting the string pull while straightening it.
Good advice. Counteracting the string pull during truss rod adjustment. Besides ... 3/64" is just 1.2mm - that IS low action, isn't it? Just make sure that the individual bridge saddles are supported through the adjustment screws.You could remove the string tension, then tighten the neck a bit so it's not fighting the string pull while straightening it.
Even that might be normal. Tight is OK, very tight is not OK and stuck is unacceptable.It's tight when I've loosened the strings ):
Going a little flatter on the neck relief will get your action lower. That plus lower tension strings will get it even lower. I know your relief is already minimal but it makes a difference to go even flatter.
<snip> Currently, I'm looking at 3/64 on the G and 4/64 on the E.
Even with specs, fret work, and all the bells and whistles, how you play is what really determines how low your strings can go.I wouldn't go so far as to say a bass was specifically built to have high action. I think it'd be more accurate to say some basses are capable of being set up for lower action than others.
Many makers specify a recommended action height in their setup guides. How far you can deviate from that depends on the individual bass. And on a set neck instrument, where you don't have the option of shimming if needed, you're going to be more limited in your range of adjustments.
There's nothing unusual about that. It's just the way it is.
I've attempted to set my Supro Huntington up with low action. Currently, I'm looking at 3/64 on the G and 4/64 on the E. However, the G saddle is touching the base of the bridge and just doesn't look right. It feels like the screws should be visible under the saddle. Therefore, are some basses built for higher action?
Unless it's (piezo) in the bridge saddles the only harm you'd do is shortening the saddle height adjustment screw holes. Can't tell for sure if there's any kind of detail on the bottom of your bridge saddles so if they are flat on the bottomget some different grits of sand paper and a window pane. Tape the paper on the glass and work the underside of your bridge saddles down some. The only real danger is going far enough to cut into the hole where your intonation screw threads in. Get a set of cheap digital calipers and keep your saddlee close to the same thickness. Whatever you take off the bottom will be how much lower you can drop your saddles.I wish. There's a piezo below the saddles. I think the odds are stacked against me.
I can get it down to about 3/64" on the G string with about 0.08" relief. ...
Sorry, yes that's right. I always get these measurements wrong.Are you sure? That relief (2.03mm) sounds like verging on unplayable to me, and with an action of only 1.2mm, I'm struggling to see how that's even possible without buzzing and choking all over the place. Did you not mean 0.008" (0.2mm), which would be just about perfect?
At the 17th!Is that string height measured at the highest fret? In my book, that's pretty low action!
If what's bothering you is that it feels hard to play in the middle of the neck, most likely the neck has too much relief. For me, about .010" relief measured at the 6th/7th fret feels good.
I haven't heard of anyone using 3/64" on the G, especially with only .008" of relief. I'm not sure why you think those specs are doable or even desirable. Maybe if you use that bass for tapping and nothing else, or if it's a fretless. Even for a fretless I wouldn't expect those numbers to work.At the 17th!
I tend to play with a really light touch. I don't play technically, but I like comfort. Furthermore, I move my hand further from or to the neck/bridge if I want dynamics, without turning up.I haven't heard of anyone using 3/64" on the G, especially with only .008" of relief. I'm not sure why you think those specs are doable or even desirable. Maybe if you use that bass for tapping and nothing else, or if it's a fretless. Even for a fretless I wouldn't expect those numbers to work.