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"Faith-based luthiery."
Same goes for most threads involving $2,000 power cables, directional speaker cable, power conditioners, tone rocks, M*****r cables, etc. The esoterica reaches the event horizon and all rational thought is sucked inward and crushed. I think we're through the looking glass on this topic.
What matters most in a bass performance? Tone? Technique? I would suggest note selection. First and foremost, be all end all. The right note works, not matter how many or how few, for any musical application. Second would be the delivery of the notes. Be it fingerstyle, slap, pick, what have you. Consistency from measure to measure.
The wood in the bass has zero to do with it up to this point. The playability, yes. The wood, no. Throw in amp selection, cab(s), pickups, strings, frets, no frets, cables, effects, DI's, mics, PA support, the venue/studio... the myriad variables that affect any real world situation. I'd put tonewood selection way, way down the list.
Like I said, I'm now practically DYING to try as many different material combinations as I can, just to see what all I come up with.
...Invent a new, truly unique sound, and the world will remember you for it (just ask Bob Moog)...
Dan, thanks for these threads about wood's impact on tone, they have been interesting and informative in a number of ways.
The fact that you somehow riled the feathers of a huge portion of the forum is just a hilarious icing on the cake.
What matters most in a bass performance? Tone? Technique? I would suggest note selection. First and foremost, be all end all. The right note works, not matter how many or how few, for any musical application. Second would be the delivery of the notes. Be it fingerstyle, slap, pick, what have you. Consistency from measure to measure.
...I actually feel that note choice is not the end-all be all people think it is, or at least perfect note choice does not trump bad delivery, even in the slightest.
