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Well CourseBass I am of the opinion you are the one confused. Early active bass designs were just passives with a pre-amp strapped onto them. Modern actives like EMGs of last 5 years are not passives with an amp strapped to the front. Passives have magnets several times stronger and create voltage through induction - the movement of the strings excites electrons in the coil and generates voltage (like a low-efficiency generator). Which falls off badly with longer cords. Actives have substantially weaker magnets and their "pre-amp circuit" which is actually much more than that, actively charges the coil with current and the circuit is multiplying (amping) the fluctuations in the loading current. It is almost identical to the difference between dynamic and condenser microphones. The pre-loading of the coil on an active is why the pickups frequency response and note die-off is different between the two. Yes I know we have a tech writer for Bass player here who keeps propagating what i consider to be erroneous information. Pre-amping your passives won't make them [modern,actual]actives. It will make them louder and less susceptible to line loss.Almost all pickups are passive, its a point of confusion for practically the whole internet and everyone in a GC.
Active basses typically have passive pickups with active preamps, like most ATKs.
Typical for Ibanez. I have a B.C. Rich Warlock of recent construction - true actives. This is my third ATK, I just hadn't bothered to open up the cavity on the Gary Willis or the 805e. But it does explain their inability to get that crisp, chunk-shunk sound while slapping that the Warlock can produce with no effort with. But the Warlock can't be dialed down to a warm, passive dub without killing the tone.Almost all pickups are passive, its a point of confusion for practically the whole internet and everyone in a GC.
Active basses typically have passive pickups with active preamps, like most ATKs.
Well CourseBass I am of the opinion you are the one confused. Early active bass designs were just passives with a pre-amp strapped onto them. Modern actives like EMGs of last 5 years are not passives with an amp strapped to the front.
I wish manufacturers would stop calling instruments with a pre-amp and passives "Active" - they are creating confusion in the marketplace and people are comparing apples to oranges.
First, it's really odd that Ibanez chose to wire the three coils in series with each other, as opposed to wiring the dummy coil in parallel with the neck coil, which is what MusicMan and many others do with their triple coil humbuckers. Perhaps this was a tonal choice, as it would double the resistance of the neck coil when split. Who know? But yes, it does prevent the pickup to ever be wired in true series.
Yet, my pickup sounded great when I wired it up in what I thought was series, which was not what Steve found. Turns out, that I was running the neck coil in parallel with the dummy coil, which then was in series with the bridge coil. Oddly, having three coils running at the same time doesn't make it any more or less noisy than parallel operation. It's darker in character, with a more pronounced midrange, and sounds more musical to my ears. I'm going to stick with this combination parallel->series setup, as the parallel mode just sounds too scooped and bright to my ears.
Newer ATK’s have a revised pickup design. All bets are off as to how they are wired- I’ve never had one on my bench.I’m raising this amazing thread from the dead.
I’m doing a passive mod on my korean 90s atk300, along with the 3-way switch for bridge/neck/parallel coils instead of useless character switch.
1. Can anybody confirm that series is indeed impossible?
Is this info still true?
I don’t like the way my default parallel setting sounds aswell - too scooped and processed to be usable but I blame that on the preamp and some resistors the tiny character switch board, because parallel should not sound like this.
Getting rid of that character switch should clear up the parallel setting, but I’m still interested in adding the series switch as described above by Benjamin Strange
2. Would it be possible with 3-way dpdt switch for neck/bridge/parallel and a separate 2way switch for parallel/series? Can anybody help with a proper scheme to achieve this?
3. Lastly, since the pickup is not the hottest even with the preamp, I expect it to be really weak without the pre.
What’s the best strategy to adress that? Going straight to the jack should increase the volume or should I bother with 500k or 1000k volume pot to give it some load?
The default pots are all attached to the preamp board and are 20kOhm, wchich is unusable for passive operation.
Plus they have longer shafts, so I gotta look up for the proper length ones, thats why I was thinking about maybe adding a resistor(or should I?) and going straight to the jack.
I’d really appreciate some help with this, I’m admittedly not that good with electronics so I’d like to sort it all out before landing my bass to the luthier for this upgrade.
Newer ATK’s have a revised pickup design. All bets are off as to how they are wired- I’ve never had one on my bench.
AFAIK, all older Korean ATK’s had the same pickup wiring, with the needed internal connections for truly separating the coils not brought out to the wiring harness.
First, it's really odd that Ibanez chose to wire the three coils in series with each other, as opposed to wiring the dummy coil in parallel with the neck coil, which is what MusicMan and many others do with their triple coil humbuckers. Perhaps this was a tonal choice, as it would double the resistance of the neck coil when split. Who know? But yes, it does prevent the pickup to ever be wired in true series.
Is it a contradiction or I don’t get it?Yet, my pickup sounded great when I wired it up in what I thought was series, ... Turns out, that I was running the neck coil in parallel with the dummy coil, which then was in series with the bridge coil. Oddly, having three coils running at the same time doesn't make it any more or less noisy than parallel operation
If you just want the parallel/neck/bridge toggle as in the video - simply replace the character switch and its board with a 3way dpdt switch and follow the instructions posted by Steve in the threadI wish I had an EXACT guide on how to do this simple mod. I want to try it so bad! I have an OG ATK 300. I’m pretty sure it’s one of the earliest runs according to the serial number if I’m correct.
If you just want the parallel/neck/bridge toggle as in the video - simply replace the character switch and its board with a 3way dpdt switch and follow the instructions posted by Steve in the thread
I’m doing the mod and I’ll post the sound clips when I’m finished
I’ll also do the “serial” switch just cause I’m curious