One player here has a Straight Ahead power amp that he runs in conjuntion with an SGT DI. He loves the set up.
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Helpful perspective! I usually keep my pedalboard on top of my cab (tight stages) so my long cable would be from my bass to the board, not the board to my cab. Still, you raise a good point on stage set up and the heft of cables.For my pedal board mounted amp, I didn't like that I needed longer speaker cables coming from my pedal board back behind me to the cabs. All my instrument cables are long enough but my speaker cables weren't. I've spent decades stepping over instrument cable but the speaker cable bugged me as it's thicker.
I also found my pedal board got heavy quick.
I also noticed quite a bit of heat from the pedal board. Nothing blew or broke though
I went back to using my separate amp head.
One player here has a Straight Ahead power amp that he runs in conjuntion with an SGT DI. He loves the set up.
I've thought about this. The major drawback i keep coming back to is the pedal board getting stepped on, dirt from the floor or drinks being spilled.For a while now, I have been gigging and rehearsing with a single 15 along with a separate non-micro head and my pedal board. I want to reduce my schlep and can't decide if I want a class D that fits in my gig bag or to mount a power amp (SD Powerstage/Ant/Jule) to my board. My preamp is a Genzler Magellan, which I really like and would prefer to avoid stacking preamps. Not many small class D have effect loops to bypass the built-in preamp.
Question: For those who have a pedalboard mounted amp, has it worked for you as intended? Any major unanticipated drawbacks?
There's a solution to everything!
A dolly and most carts have big wheels, curbs have never been a problem...you can pull a dolly up a curb, you do the same with a cart, pull the handle bar side up and the big wheel side with climb it too. There will also be a driveway or pedestrian ramp somewhere along that curb... no curb is an endless continuous 'cliff'.
I have not seen a stairs-only venue in nearly 30 years! How do wheelchair people get there? Seriously. Those old venues around here have either been renovated long ago, or simply out of business. I'm serious, do these venues shut out handicapped patrons?
A great example why Mesa wins!One of the gigs I have is a difficult load in/out. I typically use Mesa Subway gear and most gigs are covered by one SW115 and one of my Subway heads or a Genzler Kinetix. I wanted a light weight combo and after doing some research ordered a Fender Rumble 800. 29 pounds is the weight listed in the specifications. The amp has a lot of power, is easy to move but the baked in Rumble tone does not work well in some venues. In one venue I play the Rumble sounds very nice but in others I am always wanting to clean up the muddy sounding lows and the onboard EQ does not give me what I want in most venues.
I found a really great deal on a GK NEO MB II 212 on GC's used listings. I bought it and again am not crazy about the baked in GK tone which is rather the opposite from the Rumble tone. The GK is voiced with too much edge to the tone (for me) and, again, I am not able to get what I want with the onboard EQ section. The GK does not have an effects loop, so I can't bypass the preamp but I decided to try it with my Mesa Subway preamp and it sounds really good. I tried the Subway preamp into the effects return of the Rumble and much of that low muddiness is still there. Also the acoustic design of the speakers/cabinet seems to be limited in its ability to produce clean lows with authority.
The GK weighs 41 pounds so it is not as light as the Rumble but it is really loud as it puts out 500 watts with the internal speakers. The Rumble puts out 800 watts with an extension 4 ohm speaker but Fender does not specify what the power is as it sits. I think it is in the 300-400 watt range. It is also quite loud but does not have the clear lows of the 12's in the GK.
So, In the end, my quest for the perfect combo would be light weight, compact size, great tone and not too expensive. It may exist but I have not found it.
The Rumble 800 Combo is 400W into the internal speakers.One of the gigs I have is a difficult load in/out. I typically use Mesa Subway gear and most gigs are covered by one SW115 and one of my Subway heads or a Genzler Kinetix. I wanted a light weight combo and after doing some research ordered a Fender Rumble 800. 29 pounds is the weight listed in the specifications. The amp has a lot of power, is easy to move but the baked in Rumble tone does not work well in some venues. In one venue I play the Rumble sounds very nice but in others I am always wanting to clean up the muddy sounding lows and the onboard EQ does not give me what I want in most venues.
I found a really great deal on a GK NEO MB II 212 on GC's used listings. I bought it and again am not crazy about the baked in GK tone which is rather the opposite from the Rumble tone. The GK is voiced with too much edge to the tone (for me) and, again, I am not able to get what I want with the onboard EQ section. The GK does not have an effects loop, so I can't bypass the preamp but I decided to try it with my Mesa Subway preamp and it sounds really good. I tried the Subway preamp into the effects return of the Rumble and much of that low muddiness is still there. Also the acoustic design of the speakers/cabinet seems to be limited in its ability to produce clean lows with authority.
The GK weighs 41 pounds so it is not as light as the Rumble but it is really loud as it puts out 500 watts with the internal speakers. The Rumble puts out 800 watts with an extension 4 ohm speaker but Fender does not specify what the power is as it sits. I think it is in the 300-400 watt range. It is also quite loud but does not have the clear lows of the 12's in the GK.
So, In the end, my quest for the perfect combo would be light weight, compact size, great tone and not too expensive. It may exist but I have not found it.
cobblestones are sometimes hard to avoidThat works until you get to ledges, curbs and stairs!![]()
In my younger days, I felt exactly the same. I am, however, a small guy and 81 years old and have played over 150 gigs so far this year. I am very blessed to be performing at my age and guys like me need all the help we can get. I still use heads/cabs for a lot of gigs but the load in/out is usually not too bad. The one gig I play is outside on the San Antonio Riverwalk and parking is a few blocks away so it is a trip with a cart loaded with gear even when using a combo. Of course, I am also a gear head so it is natural for me to try to find something that works best for me. I also have no wife and no need to explain why I "need" another amp.I guess I can see wanting to streamline if you have so many gigs and rehearsals that being faster on the load is really important or if your gigs and rehearsals tend to be decent walks from the car fraught with many perils, steps up, curbs, etc. But if you like your sound already, why mess with it? I chased the easy load in rig for a long time, and it mostly just resulted in buying amps and cabs I didn't need.
Hey, young man, leave some gigs for the rest of us!I am, however, a small guy and 81 years old and have played over 150 gigs so far this year.