OK! BIG update time!
Last week, I messaged Steve Azola here, but there was some kind of issue with me getting the reply, but I tracked down his email address in a previous thread and reached out. And first of all, Steve was great through the whole thing, replying clearly and promptly (sometimes within minutes) to all my questions. So: Three cheers for Steve Azola! It'd be a better world if everyone stood behind their work like him.
He also gave me permission to quote our emails so, I am doing so, with some light editing, because I think his words will be more useful than mine on all of this. Apologies for the long post, but I figure this might as well be recorded *somewhere* right?
My first email to him was explaining the situation as I did above. He replied:
Hello Chuck,
Glad to hear you're enjoying the bass so far. Sorry about the string height problem. It should be an easy fix. I set up the basses with a 2-3 mm height difference between the G and E string, G being lower. But, the neck and bridge must be centered to achieve this. So it sounds like the neck has to be moved slightly side to side to have it land with strings centered on the fingerboard. Look at the bass straight on front the front, and I'm betting it will show the G being close her to the edge than the E. This will change the string height, as you're dealing with 2 arches, the bridge, and the fingerboard. I'm hoping you can understand my description.
So to move the neck over, just loosen the bottom tilt screws a little, and bump the bottom of the fingerboard over a bit. There is a bit of clearance in the neck pocket, to allow this, also the tilt. After it's centered, tighten the screws. The bridge will move a little side to side, but just a small amount. Make sure the bridge feet sit flat on the body surface, very important for the pickup to work properly. And yes, the pickup is embedded in the foot, something I developed over the years.
Hope this helps, and that it makes the bass play better for you!
Regards,
Steve
....I replied....
Hi Steve,
Thank you for the reply. I *think* I follow, but, just so I'm clear, this is how I interpret your instructions:
1. Loosen the two outer bottom screws. (Do I need to loosen the middle tilt screw as well?)
2. Making sure the bridge feet are flat on the body, move the neck, in the pocket, toward the G string side.
...Yes?
Thanks again!
Chuck
....He replied...
Hi Chuck,
Yes it sounds like you have the idea of what I suggested. You shouldn't have to loosen the tilt screw, unless the string height changes, and it may, once you get it centered. Re adjust as required.
Let me know how it goes.
Steve
...I replied...
S
teve,
Thanks for the prompt reply! I loosened the lower screws so screw heads were protruding by at least an inch, and the neck just didn't budge... any suggestions?
Thanks again,
Chuck
...And Steve replied...
Chuck,
That's way too loose, they just need to be loosened just a few turns. But what you did won't do any damage. Maybe loosen the strings, and top screws a bit to allow a little movement. Does the pocket look tight, or is there a little clearance? There's only 2 reasons that the strings aren't aligned. 1 is the neck being off in its side to side alignment. The other is the bridge being off, but you said that it is resting on top of the positioning screw like it should be. So I'm guessing that the neck got shifted in shipping to you. Keep trying to move it a bit, that should take care of things. If that doesn't work, you'll have to move the bridge over to get the alignment, and drill a new small hole for the positioning screw.
Steve
So, I did try moving the neck as he suggested, but it wouldn't budge, and honestly, I'm not great at eyeballing these things, and plus I don't have a good workspace for this in my apartment. So, I called up my pal, the awesome Mark Carlsen, and took it to his shop today. Mark is an excellent luthier, as most of us in the Boston area know, plus his shop is better for this kind of thing, and he has a hand-carved gauge for measuring string height above the fingerboard.
He noticed right away that the strings were too far over on the G string side. But the alignment screw being where it was, we couldn't move the bridge far enough toward the E string side. So, just in the spirit of playing around with this - I don't want to cut this bridge unless absolutely necessary - we just took out the alignment screw and voilà! We moved the bridge about 3/16" toward the E string, and the bridge radius matches the fingerboard radius very well, as Steve said. Hopefully you can see the original "footprint" of the bridge below:
Unlike cutting the bridge, this is a reversible modification, and the string tension is holding the bridge in place just fine. Now the E string is great, but the G is a *little* low, but it's a huge improvement, so I'm going to try to play it like this for a while and see if I get comfortable with it before I try any more tweaks.
Hope this is helpful to y'all, and thank you for your input and interest! I'm happy to answer any questions as best I can.