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I like OptComp and LMT-76, but that's probably just me.
An updated version:My band is going to adopt I Feel Love by Donna Summer, so today I've hastily made a patch for this iconic song.
It sounds best when played staccato. I use pick with palm mute. Play eighth notes, and the pathc will do the rest.
Effect: "MB Comp" (Dynamics), active - "yes"
"Comp" = 82
"LoTHR" = 50
"HiTHR" = 50
"Volume" = 50
Effect: "Delay" (Delay), active - "yes"
"Time" = Sixteenth
"F.B." = 30
"Mix" = 70
"Tail" = Off
Effect: "BassPhase" (Modulation), active - "yes"
"Color" = 1
"Depth" = 100
"Rate" = 55
"Resonance" = 56
Patch Volume: 100
DSP Load: 33%
Effect: "160 Comp" (Dynamics), active - "yes"
"Threshold" = -22
"Ratio" = 4.0
"Knee" = HARD
"Volume" = 80
Effect: "BaMnPitch" (Modulation), active - "yes"
"Shift" = 12
"Fine" = 0
"Tone" = 9
"Balance" = 16
Effect: "Delay" (Delay), active - "yes"
"Time" = Sixteenth
"F.B." = 30
"Mix" = 88
"Tail" = Off
Effect: "BassPhase" (Modulation), active - "yes"
"Color" = 1
"Depth" = 24
"Rate" = 27
"Resonance" = 56
Patch Volume: 100
DSP Load: 35%
Preset 12, RockDrive. That's what I use for punk songs.I just got my B3n and looking to get a nice raw punk tone, any ideas on what would sound best?