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B7K ultra drive strength (passive bass)

This is my experience with the B7K, but I think it applies: it sounds pretty good normally...but to really bring out the best, it needs to get hit hard. I do that by goosing the signal with the output knob on my compressor (Empress, which plays wonderfully with the B7K), plus playing hard (which I do anyway).

Very true!! I found with high out put pickups I could get amp like drive outta the B7K with blend at 3:00 and drive completely off, so I'm guessing any kinda boost will have the same affect!! Maybe raise the pickups?? And I had the bass completely cranked on the EQ with zero mud, just amazing!!:)
 
I can't listen to the clip now but I will give you my experience with my B7K

I like its drive at low, and I like its drive near the upper end of mid, and I like it ok at the top area of its drive. I don't love the entire range, and I use the blend with it since it's the last pedal in my chain before phaser then amp. So all this may mean nothing to you but I find that either the TCE Spark boost, Timmy (lowish gain) OCD (lowish gain) or even a fuzz into the B7K is better to me than going much into the top of its drive range.

That being said I could replace nearly every pedal on my board with 4-5 B7K's and be incredibly happy. I like nearly every sound that I get out of it, the downside is I have to pick just one at a time.
 
That being said I could replace nearly every pedal on my board with 4-5 B7K's and be incredibly happy. I like nearly every sound that I get out of it, the downside is I have to pick just one at a time.

+1 to this. Presets on this would be killer...
 
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Zombie-thread revival...

It seems like it is somewhat recommended to boost the signal of a passive bass before the B7K Ultra to get more gain out of it...

I'm thinking of ordering a B3K for use with a passive bass. Based on a comment earlier in this thread by @dannybuoy it seems like the B3K may have a bit more gain (or distorts easier due to less headroom than the B7K). Has anyone felt the need to boost a passive bass's signal into a B3K, or is a passive signal, by itself, strong enough to bring the B3K to full distortion?

Thanks!
 
This is my experience with the B7K, but I think it applies: it sounds pretty good normally...but to really bring out the best, it needs to get hit hard. I do that by goosing the signal with the output knob on my compressor (Empress, which plays wonderfully with the B7K), plus playing hard (which I do anyway).

i do this exactly. but i also hit the B7k again with a vintage deluxe.

tone like nonna use to make...
 
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i do this exactly. but i also hit the B7k again with a vintage deluxe.

tone like nonna use to make...
Nice. My core tone is VMT -> Empress Comp -> B7K, though the VMT is more about drive character and (sometimes) touch sensitivity, rather than slamming the B7K...but I'm intrigued.

Interestingly, I had an EP boost, and even with the boost set to minimum, it still made the B7K too wooly.