Does anybody know where I could find a transcription of the 4th Bach suite in D major (transposed to D from the original Eb)?
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Orchestral brass players all need to do it. Why shouldn't we?
You're sure you want it in D? I just did this quickly. It's up to you to proof-read it and let me know if there are any mistakes.Does anybody know where I could find a transcription of the 4th Bach suite in D major (transposed to D from the original Eb)?
That actually looks kind of fun, especially if you had a "B" extension and latches. If so, it would be a terrific exercise for moving your gates quickly!You're sure you want it in D? I just did this quickly. It's up to you to proof-read it and let me know if there are any mistakes.
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I may have it all wrong, but I've been told that trumpet parts can be written for a C, Bb, or A trumpet, and the section may decide to use a different one than what was intended. I remember asking a guy who was explaining all this too me if it was stressful to do all that transposing. He said you do it so much you don't even think about it. I don't know about the trombones, but tubas come in C, Bb, or Eb. The parts are most always written in concert pitch, but some players regularly use instruments in more than one key, so they are also regularly transposing. Also, I'm thinking that there is plenty of orchestral literature whose horn parts contain way more than ten notes per page. Does your orchestra ever play any Richard Strauss?Being a professional orchestral bassist AND married to a horn player, I can tell you it's really only the horn players that can do ANY transposition. And they have, what, ten notes to a page?![]()
I do apologise if I have offended anyone.