I need to find ones that don't hurt, last time I used one of the two brands I have, it hurt my ear from the size of it and how far I needed to put it in to be effective, and it didn't seem right to have to do that. I may need to find smaller ones.
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Get some rods and leave them on your drummer's snare.
I’ve been very lucky in having played with some excellent drummers. I’m no drummer which is why I mentioned rods. I played with a guy for a while that would bring a cocktail kit when we played small bars, and he used rods and brushes a lot. On the other end of the scale I played with a guy who channeled John Bonham every time he sat down behind a kit. As important as good vocals are, IME a good drummer is even more important to the success of a band. If the drummer plays like a slinky and can’t keep time, the whole band sounds like amateur hour no matter how good the rest of the players may be.As someone who plays drums, the effect of rods is that they will hit harder. Plus you loose articulation with those things. I see them as another tone and timber but a loud drummer is a loud drummer. I gave a loud drummer brushes and he pock mark my snare head in less then an hour and he was laying on the cymbals. so hard that one flew off because I did not have the t-nut on.
Ask your drummer if he could could do a rimshot with our raising his hand no more than 3 inches. Plus points if he goes less..
Gels just control ringing.
That is why a minimal set, snare hi-hat and bass drum, can teach any drummer how to make the most of 2 drums and get really good with their foot work.
That is the exact opposite of my experience with drummers.If you have a drummer like I'm working with IEM's only seem to make the problem worse.
He uses IEM's on stage
Without them in, his stage volume is where it needs to be.
With the IEM's, he literally beats the living snot out of his acoustic set.
Soundman spends a great deal of time at sound check sitting drum tone/volume and his IEM level.
By the middle of the first set his stage volume has doubled.
I've said things, it has done absolutely no good.
That is the exact opposite of my experience with drummers.
Band I was in had a noisy drummer. BL asked him to turn it down. He did. But the quieter he got the more behind the beat he played. Sad because loud Dave was tight as the ducks proverbial.Someone tell me of a conversation with a loud playing drummer/guitar player where they were told they play too loud and how they listened and everything was better afterwards.
Somewhere in the world I am thinking this may have happened once.
Well.....the gig pays to well for me to rage quit. I need the money. I pop in my ear attentuators and keep it moving. No ringing in the ears after the gig.I'd be leaving, politely telling them they play too loudly for my liking. Then, grab your stuff, and go. It's better to be not gigging than deaf. I have constant tinnitus from loud playing, and it was simply from not being smart. I regret it constantly.
Hey, if it's working for you, great.Well.....the gig pays to well for me to rage quit. I need the money. I pop in my ear attentuators and keep it moving. No ringing in the ears after the gig.
Get some rods and leave them on your drummer's snare.
Good point.We had our old drummer use rods once. At the end of the night it looked like he threw a box of toothpicks on the floor. He's still in the band. No longer the drummer, but a damn good singer.
