Nice playing, loved them all to some degree. Thanks for making my morning.
TalkBass has been independent since 1998. Add your voice.
Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
Join free Log in
Want zero display ads or expanded classifieds tools? Compare plans.
Roscoes rule! I also have a fretless Century. Both have a monstrous B string.The Roscoe![]()
Did you mean the Modern Vintage? I know what you mean about the intonation, I’ll have to check my basses!Fender sounds the best and intonated better on that high part hammer on line and the slap tone was balanced. I listened on a proper stereo.
It does! It also cost way less than the others (with the exception of the Taylor). Proof that you don’t need to spend a lot of money for a great Jazz tone.I listened through my good headphones and that parts Jazz kicked butt!
To my ears through headphones, the Roscoe and Warwick had the most solid B strings and just sounded best overall.
YesDid you mean the Modern Vintage? I know what you mean about the intonation, I’ll have to check my basses!
To my ears through headphones, the Roscoe and Warwick had the most solid B strings and just sounded best overall.
I was very impressed with the B string on the Warwick…probably should listen to the whole thing again, but to me, on the first listen, the Warwick’s B string was the winner…otherwise the Jazz’s sounded great overall.
It's a FUN bass to play. The strings have a bit more "give" so I find I have to work a bit harder. Here is what it sounds like in a funk/jazz context:Why don't we hear the Taylor Mini more in funk music? It's a monster!![]()
It's a FUN bass to play. The strings have a bit more "give" so I find I have to work a bit harder. Here is what it sounds like in a funk/jazz context: