Hi all, hope you're doing well
I'm looking for a specific type of bass overdrive which I'm not sure exists. If it does, I hope you could point me to such equipment.
I was wondering if there is a pedal/preamp/rack unit (form doesn't matter) that lets a portion of dry signal come through. Not by blending a balance between wet and dry, but by allowing a selected range of low frequencies to come through dry while the rest of the range is being overdriven/distorted.
Has any of you ever come across such piece of equipment? I found that for finding my live tone I'm actually looking to reproduce my favourite recording setup, where I combine a low-cut (or high passed) track from an overdriven valve guitar amp (Orange TH30 in my case) with a high-cut (or low passed) track of pure dry Direct Input. The resulting tone remains huge and clear in the low end, while having a very angry an harmonically rich top end, which for me benefits both attack and sustain and simply makes playing a load of fun. I use tunings like drop C and B standard for a band with a heavy sound but with lots of dynamic twists, which require my bass tone to remain bouncy, fast and responsive while the sizzle and dirt stay at the top.
Thanks for popping in!
I'm looking for a specific type of bass overdrive which I'm not sure exists. If it does, I hope you could point me to such equipment.
I was wondering if there is a pedal/preamp/rack unit (form doesn't matter) that lets a portion of dry signal come through. Not by blending a balance between wet and dry, but by allowing a selected range of low frequencies to come through dry while the rest of the range is being overdriven/distorted.
Has any of you ever come across such piece of equipment? I found that for finding my live tone I'm actually looking to reproduce my favourite recording setup, where I combine a low-cut (or high passed) track from an overdriven valve guitar amp (Orange TH30 in my case) with a high-cut (or low passed) track of pure dry Direct Input. The resulting tone remains huge and clear in the low end, while having a very angry an harmonically rich top end, which for me benefits both attack and sustain and simply makes playing a load of fun. I use tunings like drop C and B standard for a band with a heavy sound but with lots of dynamic twists, which require my bass tone to remain bouncy, fast and responsive while the sizzle and dirt stay at the top.
Thanks for popping in!
Last edited: