Some Jazz's are great and others are hard to bond with -- i.e. dead spots, no bottom, weak response on one string, lack of presence in the mix, overall weak output, etc. You don't know until find the right strings (that too can vary depending on which Jazz you have), set it up properly, and try it out in a band setting. I wish there was greater consistency with them and it's somewhat of a mystery why to me why it's that way so often.
I once read somewhere that reggae players in the 70's got good sounds out of them by using flats, turning the the treble pickup off, and running the neck pickup with the tone up. I'll have to try that on mine sometime.
I once read somewhere that reggae players in the 70's got good sounds out of them by using flats, turning the the treble pickup off, and running the neck pickup with the tone up. I'll have to try that on mine sometime.
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