I should add Billy Cox with Hendrix '69/'70 too--nothing like funky bass through a wall of cranked Marshalls!
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Julie Slick
This is pretty nasty, looks and sounds pretty Ampeg:
i don't know if you could call it distortion but i love the grindyness of Paul D'Amour.
Dave Edwardson.bassist from Neurosis
I'm a big enthusiast of distortion, not sure why, and I was just wondering who you guys think uses it best. My vote goes to Geezer Butler.

