Unrepresented
Something Borderline Offensive
Besides Tim C. whose tone has been heavily influential on me, I also nominate Jon Chapple from McLusky who produced awesome music, with awesomer song titles.
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Fun fact, Al uses (among other things) a DS-1 to get that tone live when he doesn't have access to the Green heads.
Tasteful mix is a must. Of course, the guitarist has to leave some room for bass distortion to work. It can be very touchy.
Brian Cook on Russian Circles' Geneva:
I can't even hear the bass in Meshuggah.
I'd give big mentions to Troy from Mastodon and Greg/Andy from Red Sparowes. Full of Muffy Goodness.
There is a video out there called "Om, Live at Amoeba records" and Al Cisneros has a badass tone. I can get close with a Stingray and a DS-1... but Cisneros has this amazing technique that is like he's drumming the strings.
+1 on the Red Sparowes boys
i'd also add Bryan Herweg from Pelican to the list- he's got some great fuzz bass, esp. on City of Echos
Jack Bruce on Zappa's Apostrophe is classic muff!
- Marco Hietala of Nightwish. Really. Honestly. Does a good job of cutting through the huge symphonic wall going on there. Read that he uses a Sansamp GT2. Have one for guitar and tried it on bass. Too noisy.
Check out my homey Jeremy...plays in a band called Envy on the Coast...uses a womanizer, b:assmaster and ehx bass synth to create a sickening distortion...Link Removed
Check out the track The Devil's Tongue