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Beardly Customs FIRST commissioned build!!!

as of today, this bass is FINISHED!

here are the final specs:

bubinga body
5 piece neck thru wenge/bubinga neck
bubinga headstock
pau ferro fretboard
cocobolo nut and bridge
37" scale length
tuned F#/B/E/A/D
24 stainless steel frets
black hardware
Hipshot Ultra Lite tuners
Bartolini MK5CBC pickups
Bartolini NTMB-918F 18v preamp
Darkhorse strings
11.2 lbs on the bathroom scale

She plays and sounds amazing. Crystal clear and very punchy.

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Beautiful work. I like the idea of carving the completion date in the neck. I might steal that one. A few questions:
1. What is your fread board radius? Or is it flat?
2. How did you and your customer decide on the bridge?

Again, great work

Vroumo
 
Beautiful work. I like the idea of carving the completion date in the neck. I might steal that one. A few questions:
1. What is your fret board radius? Or is it flat?
2. How did you and your customer decide on the bridge?

Again, great work

Vroumo

Thank you!!

1. the radius is 20"
2. i always used cocoboolo bridges on mine and really like it. it was a suggestion and he said roll with it.

i stole the "birth date" on the back of the head from Carl Thompson. he just stamps the numbers into the wood though.
 
Beautiful work! I love the curly bubinga grain in the neck - looks so classy against the wenge. I've got a question, if you got a chance to play it before sending it out: how do the 37" scale and low F# feel/sound? Obviously the longer scale enables the use of thinner-gauge strings with a resultingly more-complex tone, but I'm curious as to your impression of its usability and sound.
 
Beautiful work! I love the curly bubinga grain in the neck - looks so classy against the wenge. I've got a question, if you got a chance to play it before sending it out: how do the 37" scale and low F# feel/sound? Obviously the longer scale enables the use of thinner-gauge strings with a resultingly more-complex tone, but I'm curious as to your impression of its usability and sound.

Thank you!

I did give it a good try out after i finished it and it sounds like a piano. The longer scale allows the F# to "work" and it also makes the other strings sound clear and defined. The longer scale does come with an adjustment period from playing a standard 34" scale, but you get used to it very quickly.
 
Nice build! I think it is time to start recessing those cavity covers on the back though ;).. and your string through holes are a bit all over the place. But I like the raw style of the bass and I image it sounds great. The fretboard looks very clean and is nicely finished.

Total dittos! I would also suggest smaller sized screws (or countersink them into the wood) as those screw heads just seem to protrude out at you. I really like your 'neck-thru but put the headstock on later' approach - never thought of that!