I found out that 95% of it is in your fingers. So... my answer now is: What ever feels comfortable to you and you enjoy playing. Ox.[/QUOTE said:I agree!:
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I found out that 95% of it is in your fingers. So... my answer now is: What ever feels comfortable to you and you enjoy playing. Ox.[/QUOTE said:I agree!:
I'm always a little bemused by questions like this. In my admittedly not mainstream, but nonetheless strongly held, opinion, it's the Indian, not the arrow.
I think it's more important to have a bass that you LIKE, that fits you, and makes noise you like, and lends itself to whatever playing style (as opposed to musical genre) you prefer, than to try to find THE BASS for funk or blues or pop or....
If you're a musician, you'll find a way to exploit your instrument wherever you land. In fact, if you think about the history of each instrument that we now think of as defining a particular sound, it must be self-evident that the first person who used it for that was the only real musician: everybody who copied were doing just that: copying.
I have arrived at the age where, when I hear something played with the instruments it's "supposed" to be played on, my attention wanders. C'mon, guys, is this the best you can do? Every hear of creativity?
But mine is the minority view: everybody wants to sound like everybody else, and mimicry trumps musicianship.
Feel free to disagree. I'll pray for your soul.![]()
Speaking of blues, fingers, and poopyguitars, Carl Dufrene played up a HURRICANE on this piece of work.
Carl works with Tab Benoit.
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Yes, Martha, that was painted with a brush and it's not a fretless....that's neck goo.![]()