depends on literally more factors than I can count. who you are, what your goals are, and how many people care if you are in their city are the top of the list.
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My experience in Austin has been that a very small number of booking agents control all of the good stages, notably BBA Talent (Mike Mordecai) and Paradigm. There’s an amount of relationship building and dues paying that goes into accessing them, which may be true in any big scene. I was playing Mike Mordecai gigs way back in 1989 and he is still doing it.Austin’s live music scene has been dying with all the tech industry and younger people moving in. A lot of older venues have closed down.. the pay is horrible and younger people only care about national acts coming through and not local small acts playing small venues.
I moved here in 2015 (moved from Philly) and was debating getting back into playing again.. I would see this one upright bassist all around town for two year straight.. when i finally went up him to ask some questions (he was playing a small outdoor coffee shop with a Texas swing trio).. I asked how much he was getting paid for the gig his reply was “whatever’s in the tip jar”
I learned from talking to others around town that this is normal for these 1-4 hour sets here.. so I’ve been focusing on finding a good group of players to start something original here.
Cool to see Montreal on this list! What stands out to you about Montreal that makes it good for gigging?Nashville, New Orleans, Vegas, Chicago house of blues and Montreal would be my top 5.
Never went to L.A. though.
The Tampa/St Pete area.
Orlando doesn't have much and Miami is all DJ's now.
Used to be better before COVID, but that applies everywhere.
The most giggable city has got to be Nashville. Lower Broadway has to have about 65 stages. All of them run 1-2, 4 hour, full band shifts a day 7 days a week, a lot of them run 4 full band shifts a day (and a bunch of acoustic duos and trios), year round. Take home money runs from $100-$1,000 per person (base pay + tips), and probably averages about $200-250. There is a fair amount of gigs outside of Broadway too. Not to mention the studio and road gigs, which I’m not sure count as “city gigging.”
Vegas is much bigger as a party/entertainment center, but I don’t think anywhere in the world pays the bills for as many full time musicians than Nashville.
You just gotta poke around. Gruen Hall, Little Longhorn saloon, Punk dives like Kick Butt coffee, Skylark lounge, Continental club. I dunno, I don't like live music much, so I don't really care.Austin’s live music scene has been dying with all the tech industry and younger people moving in. A lot of older venues have closed down.. the pay is horrible and younger people only care about national acts coming through and not local small acts playing small venues.
I moved here in 2015 (moved from Philly) and was debating getting back into playing again.. I would see this one upright bassist all around town for two year straight.. when i finally went up him to ask some questions (he was playing a small outdoor coffee shop with a Texas swing trio).. I asked how much he was getting paid for the gig his reply was “whatever’s in the tip jar”
I learned from talking to others around town that this is normal for these 1-4 hour sets here.. so I’ve been focusing on finding a good group of players to start something original here.
The crowd.Cool to see Montreal on this list! What stands out to you about Montreal that makes it good for gigging?