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best compressor pedal for sustain and fatness

With the LMB-3 u need to keep the ENHANCE knob
off.
I forgot my exact settings,
I keep my settings at 11-12 o'clock and volume level according to the bass/amp..
Keep that enhance feature OFF!
I used it w big muffs, various overdrives, an SFT, a DOD 250.. It's ok usually.

The one cool thing about that pedal, it's non-obtrusive and virtually invisible, it allows u to dig in and get aggressive with reckless abandon, it takes a lot if hits in reviews, but it's very useful, and no tone suck at all I feel.
 
I hate to semi hi-jack this thread, but I've been wondering too. I came into this thread hoping for a general consensus from users on what pedal to achieve the OP's inquiry with but each post has a different opinion... snap...

Can anyone recommend me a pedal based on these conditions by chance? Maybe I could help the OP with my question too:

I need more sustain and evenness around the neck. Sometimes on my 7-string, the higher strings get virtually lost in the mix, really bad. I also do a lot of tapping and you know, those types of things don't always speak well. I play an active-pup bass (Bartolinis).

I play a lot of metal with a pretty aggressive/growly tone, so I'm looking for something that offers evenness and clarity playing faster runs while not sucking out the highs/edge.

NOTE: I also have used the Boss LMB-3 for months now and I like it, and personally I DO notice a change in tone (ever so slightly) -- a tad grittier and it CAN give sustain if you keep the threshold lower (I've found) but it isn't ENOUGH for what I need. I've been considering the EBS Multi-Comp and the BBE OptoStomp but there are so many #@!$ing choices I can't decide...and I can't be bothered to just try a billion out. Gah!
 
I'll be trying the Joe meek, the Durham sex drive and the Mad Prof comps today

I hate asking clerks to take out 6-7 pedals too, so I try to plan these things out before I go.

I found Bongomania's Compressor Review page is fairly good w his reviews, his site is invaluable to me, a good starting point.
He's tried them all.
From there, I demo whatever I can find in NYC..

Bass is tough, they ALL seem to work fine on guitar for me.
I've researched this topic, there's a definite lack of info on the subject..
His site is by far the best source.. Ill usually take his suggestions pretty seriously,

I can't buy fx unless I plug an active bass in and actually try it..Comps and dirt pedals are something I'm VERY picky about,
unless fx are perfect, just right...
I'll use a pure, unaffected signal..and turn them off.
I'd scan his site & look into the ones he mentioned..
 
Are any if those BYOC's worth looking into?

They have a new Ross/Dyna "vintage" model out for like $69
I thought it might make a fun project for my wife & I to do together,

she graduated from audio school & can solder like crazy,
( she actually fixed my SVT-CL when we were first dating, it was very cool)
 
I've got an older (made in UK) Joe Meek VC3Q which is a preamp, compressor and EQ in a 1/2 rack space. I like it a lot, and especially the compressor. I know Meek now has floor pedal versions, but I've not tried them yet. Whether they are similar to the old UK stuff, I don't know.

But at least the older Meek compressors are great if you want to change your sound. It is not a limiter, it definitely colors the sound.
 
Heh heh, I certainly don't mind ,
(The rules say not to " hijack" threads though, so I dunno)

I'd suggest keeping ENHANCE off, period, all the time.. The feature is worthless.
Rip the knob enhance knob off.

try a cheap compressor, even a $25-40 used one..
see if it does any better w the fuzz,
I always suggest trying a couple different fuzzes and also one or two compressors,

You'll find two different dirt pedals will work for different applications, compressors too.

I've also found that certain compressors and dirt pedals seem to bring out certain
overtones in other fx,
They enhance harmonics too,

Try bringing your fuzz to a music shop, try a comp, see if it still squeals.

For me, the LMB-3 reacts well w my other pedals, but I never use alot of fuzz or gain.
 
yeah,I have just as much fun with no fx

95% of my gigs I go into my pitchblack plus tuner/a-b box,
and use my bass and another instrument,
(usually the Kala Ubass or acoustic guitar) but no fx.

I find i only use my pedalboard for harder,more modern rock acts..I like to use different tones to give songs flavor,offer some more textures to the people who hire me..
A touch of my LMB-3 also enables me to play aggressively,less inhibited..
without worrying about levels.:bassist:

when I go for a traditional,vintage tone, I skip all the fx
and concentrate on things like,
playing on different strings strings,
right hand positions, and stuff like that to vary my tone.

today i will go to 3 shops in NYC
in my hunt for sustainy-fattyness.

.
 
BassMonstrum said:
OP: Did you get to test the Durham Sex Drive?

No! The guys at 30th St guitars had taken it to jam behind the front counter or something & they couldn't find it!
I bought a guyatone St-2 for $50 and it performs splendidly, it kind of tightens as it fattens, it's ok so far.
and thanx for the nice words about my beautiful soldering bride..! Very nice, thanx.