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Best Cover Band Bass?

I you can use only one, which bass is more versatile to play in a cover band?


  • Total voters
    161
Carrots:

Whatever you want to play. People who listen to cover bands probably don't know the difference anyway. I have played a Thunderbird, Ric, P, EB-2, EB, and a Japanese hollowbody in a cover band. Sometimes I change basses from one set or one gig to the next, but it's just for my own amusement. Nobody in the audience notices.
 
Which models of Warwick, Ibanez, or Yamaha? They vary. And where are the options for "other" and "carrots?" Those are important, darn it!

Carrots:

Whatever you want to play. People who listen to cover bands probably don't know the difference anyway. I have played a Thunderbird, Ric, P, EB-2, EB, and a Japanese hollowbody in a cover band. Sometimes I change basses from one set or one gig to the next, but it's just for my own amusement. Nobody in the audience notices.

This.

Still, OK, what the heck. A P sounds like a P, period. A Rick sounds like a Rick, period. You don't buy those for versatility, you buy them because you want to sound like a P or like a Rick. Warwick and Ibanez, when I think of most of their models, have a couple of pickups, usually humbuckers or soapbars, and active EQ, so I imagine they're pretty versatile. I don't play them, though, so I'm going to ignore them. That leaves Fender J and Yamaha. Yamaha is a company, not a model, so which ones did you mean? The new TRBX series seems like it's made for versatility, so that's probably a good choice. But I don't play those either. I do play a Yammie BB415, which is a great bass. It's P/J and the three-way switch means you can genuinely isolate the P pickup for P bass tone if you want, which a lot of P/Js can't. Of the various basses I own, if I had to pick just one to be a swiss-army-knife bass, that would probably be the one. So I'll vote Yamaha.
 
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Heck my band members don't know the difference! 6 different basses, 7 band members and the only comment I ever received was from one of the vocalists who thought one of the basses was pretty.
I have had two comments - one from the BL who was happy when the Ric made its first appearance. He likes Rics, but I'm not sure he noticed the difference in sound between it and the P. He notices when I hit a sour note, but bass tone? He plays a Line 6 guitar. 'Nuff said.

The other comment was from a singer who thought the Gibson EB (2013 model) was beautiful. I like the EB a whole lot, but beautiful is the last thing I would ever accuse it of. So, that's all you need to know about the relationship the rest of the world has with bass guitars.

They do seem to know the difference between an upright and a bass guitar. Or most of 'em seem to. I wouldn't bet too much on it being universal.
 
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Heck my band members don't know the difference! 6 different basses, 7 band members and the only comment I ever received was from one of the vocalists who thought one of the basses was pretty.

I've heard opinions about my bass tone from band members - always guitarists with the opinions. Play in a couple of cover bands and of course they all disagree (180 degrees from each other) about which of my basses sounds best.
 
Scued poll. I vote for the whole brand yamaha just because I used to play one in a cover band. It was a five string active jazz but I removed the balance control so a fair amount of versatility was lost. I then proceeded to find one sound and use that sound for the whole evening. Conclusion? You don't really need that much versatility in a cover band.
 
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Scued poll. I vote for the whole brand yamaha just because I used to play one in a cover band. It was a five string active jazz but I removed the balance control so a fair amount of versatility was lost. I then proceeded to find one sound and use that sound for the whole evening. Conclusion? You don't really need that much versatility in a cover band.

And if you don't really need versatility in a cover band, you don't need versatility in any band. It's been pointed out that often the pros have smaller collections of basses than weekend warriors; they often have one main bass that is "their sound" for their original music, and don't really need a stable of different basses to get different sounds, nor for their #1 to be versatile. For me, I'll usually only play one bass on any given cover gig; I make some tweaks on the bass itself for different songs, and some others on the pedalboard to get the sound I want for particular songs. But for the most part, as far as the audience is concerned, if it sounds like bass, it sounds like bass, and that's all they care about (if that).