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Best I-V-vi-IV bass lines

MVE

Aug 8, 2010
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What are the your favorite I-V-vi-IV bass lines?

If there is a progression you need to recognize and be familiar with for modern music, its definitely the I-V-vi-IV.
But whenever I play it solo on my bass, all I hear is No Woman No Cry, which is great, but what are some others with good bass lines worth learning?
 
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Mind blowing Medley of 1 5 6 4 songs.



Journey - Don't Stop Believing
James Blunt - You're Beautiful
Alphaville - Forever Young
Jason Mraz - I'm Yours
Mika - Happy Ending
Alex Lloyd - Amazing
The Calling - Wherever You WIll Go
Elton John - Can You Feel The Love Tonight
Maroon 5 - She Will Be Loved
The Last Goodnight - Pictures Of You
U2 - With Or Without You
Crowded House - Fall At Your Feet
Kasey Chambers - Not Pretty Enough
The Beatles - Let it Be
Red Hot Chili Peppers - Under the Bridge
Daryl Braithwaite - The Horses
Bob Marley - No Woman No Cry
Marcy Playground - Sex and Candy
Men At Work - Land Down Under
Banjo Patterson's Waltzing Matilda
A Ha - Take On Me
Green Day - When I Come Around
Eagle Eye Cherry - Save Tonight
Toto - Africa
Beyonce - If I Were A Boy
The Offspring - Self Esteem
The Offspring - You're Gonna Go Far Kid
Pink - You and Your Hand
Lady Gaga - Poker Face
Aqua - Barbie Girl
The Fray - You Found Me
30h!3 - Don't Trust Me
MGMT - Kids
Tim Minchin - Canvas Bags
Natalie Imbruglia - Torn
Five For Fighting - Superman
Axis Of Awesome - Birdplane
Missy Higgins - Scar
 
Eh, there's some cherry-picking going on in the Axis of Awesome video--e.g. there's a reason they only play the first four bars of "Don't Stop Believing"--because the next bit goes I V iii IV. And then of course there's a different progression starting on "strangers...."

The second chord in "You're Beautiful" is in first inversion (V over the 7th of the scale)--is that just a detail? I'd recommend paying attention to it if you're the bassist--and then the chorus has a different progression.

Axis of Awesome also moves on from "Forever Young" *very* quickly--since it's actually something like I V vi IV V ii9 IV vi, I think?

Etc., etc.

Then there's the fact that the chords aren't the only thing that defines the song. I invite you to bring the chords to "Shake it Off" to a jam session some day (that one only has 3 chords!) and then watch everyone stop in confusion after a couple verses wondering why it isn't working.
 
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Every period of music has an overused progression. In the 1950s, doo-woppers were married to I-vi-IV-V. In the 1930s and 1940s, it was rhythm changes (I-vi-ii-V with a bridge of III7-VI7-II7-V7). Let's not leave out the 1,000,000,000,000 songs written over 12-bar blues changes or the time honored I-IV.

and they sound so good 8-)
 
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Eh, there's some cherry-picking going on in the Axis of Awesome video--e.g. there's a reason they only play the first four bars of "Don't Stop Believing"--because the next bit goes I V iii IV. And then of course there's a different progression starting on "strangers...."

The second chord in "You're Beautiful" is in first inversion (V over the 7th of the scale)--is that just a detail? I'd recommend paying attention to it if you're the bassist--and then the chorus has a different progression.

Axis of Awesome also moves on from "Forever Young" *very* quickly--since it's actually something like I V vi IV V ii9 IV vi, I think?

Etc., etc.

Then there's the fact that the chords aren't the only thing that defines the song. I invite you to bring the chords to "Shake it Off" to a jam session some day (that one only has 3 chords!) and then watch everyone stop in confusion after a couple verses wondering why it isn't working.
Many of these songs also have unique turn arounds or B parts.
 
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What are the your favorite I-V-vi-IV bass lines?

If there is a progression you need to recognize and be familiar with for modern music, its definitely the I-V-vi-IV.
But whenever I play it solo on my bass, all I hear is No Woman No Cry, which is great, but what are some others with good bass lines worth learning?

This set of changes, along with variations like vi-IV-I-V has become so ubiquitous that the best line is the one left unplayed.
 

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