Code:
Major Scale Box.
Code:
G|---2---|-------|---3---|---4---| 1st string
D|---6---|-------|---7---|---8---|
A|---3---|---4---|-------|---5---|
E|-------|---R---|-------|---2---|4th string
Generic Notes - for your bass line.
• The root, five and eight R-3-5-8 are generic and fit most any chord. Remember the diminished has a flatted 5.
• The 3 is generic to all major chords. So R-3-5-3 will fit under any major chord.
• The b3 is generic to all minor chords. And R-b3-5-8 will fit under any minor chord. Why the 8? Well the 8 is just another root in the next octave.
• The 7 is generic to all maj7 chords. Yep, R-3-5-7 fits nicely.
• The b7 is generic to all dominant seventh and minor seventh chords. G7 = R-3-5-b7 or Gm7 = R-b3-5-b7.
• The 6 is neutral and adds color, help yourself to 6’s. Love the sound of R-3-5-6 with a major chord.
• The 2 and 4 make good passing notes. Don’t linger on them or stop on them, keep them passing.
• In making your bass line help yourself to those notes, just use them correctly.
Roots, fives, eights and the correct 3 & 7 will play a lot of bass.
Put the above into muscle memory. See a chord coming up and your fingers know what will make a safe bass line for that chord. Now when you are actually playing with others, live, the song may only give you time for the root, or root - five. No problem, use as many chord tones as the music will allow.
Now take this and play it over a chord progression. 1-4-5-1 (I-IV-V7-I) works great for Country, Gospel, or Christmas music then 1-6-2-5-1 or 1-6-4-5-1 works over most pop songs. Two bars of each chord makes a good practice routine.