My very first impression of that video was not the bass sound, but just how much I'd sacrifice to be able to play with that drummer.
Such groove and power at the same time!
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Big Al in Church: It Sounds Great!
- Thread starter Dr. Cheese
- Start date
My very first impression of that video was not the bass sound, but just how much I'd sacrifice to be able to play with that drummer.
Such groove and power at the same time!
Not ususually a big fan of the Big Al shape but not only is the man in the video a good player, but he looks dapper as f*ck with that suit and bass.
The SSS was a bit much for me. Had to sell it. My 4H WILL NEVER LEAVE. If anyone has a Reflex, HSS (must be white), I'll buy it...
That is a joke that I don’t find funny. I’m not mad at you, but being confused with someone who does not really look like me is annoying.
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The entire purpose of the big al was to sound like many other basses. It does that well. It doesn't really do anything unique other than sound like nearly every popular bass. Plus the build quality and necks are outstanding.
I guess I shouldn’t have said “exceptional.” That was the wrong word. I’m sure that bass is of exceptional quality - I’ve never seen an EBMM that wasn’t. I should have said “unique.” For a bass with such a unique appearance, I was a little struck by how much it just sounds like a regular bass.
To your point, I can easily call that a good thing!
Well, I would disagree on this one, the standard set up in passive of the Big Al (passive + the 2 rear pickup) is pretty unique and not common, it gives a huge fat sound, not stingray like but very unique to that set up.
That's how I basically play mine all the time and I love it
To each their own. It's somewhat unique but still similar to a jazz or Thunderbird sound, but with more upper mids.
The neck and bridge together is also fairly unique, but not usable to me.
I love my big al, it's a phenomenal bass, but I'd never say "that is the big al tone!". It's a chameleon of sorts, and I believe that was the point.
My apologies for misidentifying you, which in the case means assuming that the Black guy playing the sh*t out of that Big Al 5, who is in fact the epic Johnny Lee Long, is the same Black guy as Dr. Cheese, whose contributions to Talkbass I find so valuable and whose public presence is always humble and welcoming. The error is all mine, I apologize, and I will try to do better.
It's Israel Houghton's song - there is another "You are Good" - another recent Christian song out with the same name by...someone else. Very different tunes.
There is no TalkBass bylaw that every bass has to put wind in your sails.
There is a Talkbass bylaw, however, requiring you to lust after every one that does.
There is no TalkBass bylaw that every bass has to put wind in your sails.
Well, clearly it is time to update the bylaws. I just don’t want to be disrespectful of anything that I am sure is a) going to be a great quality instrument and b)is reportedly a tone chameleon.
The aesthetics of the Big Al are not for everyone, but it was a good bass. I had a 5SSS for a while. I appreciated its versatility, but I liked the middle pickup solo sound the best (aka P-Bass sound). In the end, I just played another bass most of the time and so moved it on.
I have a feeling Johnny Lee Long could make just about anything sound good!
I have a feeling Johnny Lee Long could make just about anything sound good!
