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Big E Speakers Part 4 - Quadraphenia

Again--it's not really that big. 410 size but shallower. 26 x 27 x 14

Assembly is a PITA. It's really just two cabinets. That cabinet is entirely 3/8 Okume. With the extensive bracing it's the same weight as poplar, but stronger and more stable. And a lot more expensive. I'm getting it from France---rotary cut---the best stuff out there. Too bad that I have to Duratex it---it's really pretty stuff. It's what the top boat builders use.
You ever think about duratexing the shell and just staining the front or would that be too costly?
 
I imagine it's ok for me to mention this, since my only connection to MVW is my empty wallet! Leland mentioned, on the forum, some kind of roadshow, that will hit the west coast too.
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I am considering doing it too. I'd love to set up GTG's on the way from Chicago to LA and up to SF. And any cities on the way. Road Trip!!!

We just received an order from Stanford University to supply sound for one of their problematic lecture halls. They are looking for solutions in many areas. A road trip is probably in order at some point. From either Chicago or Kansas to San Francisco with a trailer full of gear.

Although my fairly normal mind will probably be mush from days in a truck with 3 ADD geniuses.drool
 
what about 2 tweeters like the 109?

Two tweets are no problem but likely not a big advantage. If the cab is horizontal it'll be oriented so that the tweet is firing at you. If horizontal---same thing. Obviously these highs are very directional but we've found that the "carrier wave" created by the MVW enclosures somehow encapsulates them to a degree and spits them forward. I know---science fiction---but you can be off axis and still get highs. I (and many others) have experienced it.
 
Two tweets are no problem but likely not a big advantage. If the cab is horizontal it'll be oriented so that the tweet is firing at you. If horizontal---same thing. Obviously these highs are very directional but we've found that the "carrier wave" created by the MVW enclosures somehow encapsulates them to a degree and spits them forward. I know---science fiction---but you can be off axis and still get highs. I (and many others) have experienced it.

yes, thinking a second tweet mainly for when used in the horizontal orientation.
i would have to hear one in person to get past the visual and hear the dispersion of the highs.

When are you guys thinking of doing your west coast tour?
 
Stained or Lacquered Okume?

Hmm......

Oh Oh.

Mike don't answer the phone if you recognize my number.
;)

I'll have to try it sometime. A LOT of extra labor! But---I just changed my Okume supplier to one made in France. The wood is rotary cut and really pretty. Applying the finish is no big deal---just the preparation. It would be substantial extra dough---Likely 4 hours more labor. Everything would have to be done in sections so as to clean and sand all glue residue. I'm getting a headache thinking about it.
 
I really like the 112 horizontally on a stand---if you have the space it's my preference. I have one of the OnStage stands that put the cab on an angle.

Hmn...never thought of doing that--either raising it off the floor or rotating it 90 degrees. Like MarkA, the small stages I work usually don't allow turning my 112 horizontally, but I could put it on a milk crate or box of some sort.

What do you like better about that, Mike?
 
We just received an order from Stanford University to supply sound for one of their problematic lecture halls. They are looking for solutions in many areas. A road trip is probably in order at some point. From either Chicago or Kansas to San Francisco with a trailer full of gear.

Although my fairly normal mind will probably be mush from days in a truck with 3 ADD geniuses.drool

Stanford is close to me (and a bunch of us here in the Bay Area). WooHOOO!