Well coming from the point of view of a carpenter, I know that woodshop prices can get very high, especially for custom-work beyond the mere milling of mouldings, etc.
A musical instrument has certain tolerances to be met, and depending on the wood this kind of tripping can go from straight-forward to downright maddening. If you're not picky enough (i.e., taking your time) you can put a pretty meaningful screw into your marketability when your neck warps, etc. (TB provides plenty of examples of this).
And yet... $1800 for something that doesn't look like a Ritter with spalted Maple does, on the surface, push it a bit.
It's a market. I have an older Peavey (US) I paid $300 for, and it's a kick-arse bass- trumps 2 of the 3 Rickies I've had for sound (in a way) and definitely for playability. I have a Squier parts-bass that sounds awesome and plays very nicely. So what we're after for our big $$ is "extroadinary", which is the buzz among some of us for the Birdsong. Pix never do it right, so we're just going to have to try one.
A musical instrument has certain tolerances to be met, and depending on the wood this kind of tripping can go from straight-forward to downright maddening. If you're not picky enough (i.e., taking your time) you can put a pretty meaningful screw into your marketability when your neck warps, etc. (TB provides plenty of examples of this).
And yet... $1800 for something that doesn't look like a Ritter with spalted Maple does, on the surface, push it a bit.
It's a market. I have an older Peavey (US) I paid $300 for, and it's a kick-arse bass- trumps 2 of the 3 Rickies I've had for sound (in a way) and definitely for playability. I have a Squier parts-bass that sounds awesome and plays very nicely. So what we're after for our big $$ is "extroadinary", which is the buzz among some of us for the Birdsong. Pix never do it right, so we're just going to have to try one.

His comments were not only disrespectful, they were indicative of his own ignorance. :scowl: