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Birth of a new "SuperJazz"

Peter Weil said:
C'mon Bill! It's been ages since you promised to post sound clips...... :bawl:

Throw us a sound clip! I'm dying to hear...... :hyper:

Pete
You're right - sorry! The guys in the band doing the mixing have been struggling to find time to get together the last few weeks because of other commitments. It's a bummer for me as well 'cos I'm dying to hear how the session came out.

I'll have another go at recording this bass myself later today and see what I can come up with. Check back later!

EDIT Better make that later this week... work work work work work work work :bawl:
 
Okay, here they are at last – some clips. Apologies for the delay (life took over!), the quality (best I can do with my humble setup) and the playing (just did what came naturally, haven’t bothered to polish it up).

All the clips were recorded with the J-Retro on but bass/mid/treble all set flat, pickup blend set 50:50. There’s some distortion on the peaks, because I’m no engineer. Again, sorry ‘bout that.

So, here they are…

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Let me know what you think!
 
Smokin playing! :bassist:
I still din't know how one gets to play that fast.......more practise, I suppose.

Great sound. I like to hear the 'break-up' of the bass when you dig in; something that you don't usually get to hear when sound clips are done.

The slap sound is very Jazzy, but with a bit more clarity. One presumes that the graphite neck may have a part to play there.

Good sound clips. Thanks!

Pete
 
tombowlus said:
Very nice! That bass definitely sounds like a 'complete package.' :)

Tom.
Yes, Tom, it's pretty versatile. I can nail most J tones (as you might expect), it'll do a good P impersonation with neck pickup only, the EQ on the J-Retro is excellent and it slaps like a beaut. I have a fairly wide range of influences and styles I like to play and this copes with most better than I thought one instrument could, honestly - if I could only keep one, this would be it. It's the nearest I've got to a "do everything" bass. Now I just need to work harder at being a "do everything" bassist. :(
 
bassybill said:
Well, I think I need photography lessons. But I managed to get a *slightly* better picture of the front of the bass.

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The recording went well. Three of the other guys in the band are doing the mixing next week and I've asked if I can have bass/drums mp3s as well as the full mixes to post for you guys to have a listen to. Watch this space.

I'm not a fan of gold hardware, but WOW that burst is nice. I love a good green/blue burst.

BurningSkies said:
And its amazing, how it hangs from the ceiling like that....

It's bullet-proof too. After all, it is a Super Jazz! :D
 
that is one super sweet lookin bass - doesnt sound too bad either:bassist:
may i be so bold as to ask how much it cost to complete this project?
I can tell you very precisely. ;)

Status Graphite J neck (side markers only) £295.00
Warmoth Dinky J body, alder with quilted maple top £305.26
Nordstrand NJ4SE £169.57
StewMac shielding paint £27.97
J-Retro (gold) £190.00
Schallers BMFLG (gold) £70.88
Badass II (gold) plus neck plate, string retainer, washers, screws, etc £97.79
Schaller Strap Locks (gold) £13.95
Rotosound Swing Bass 45, 65, 80, 105 £13.95
SKB FB-4 case £89.00
Moody Strap £64.32

TOTAL (completed 2/6/05) £1,337.69

£1300 ain't no cheap bass, but I think it's great for the money - I'd need to spend a lot more to get something better, I think. Resale woudn''t be good, but I'm keeping this!
 
Nice sound clips in there Bill :).

It sounds very similar to mine, except that I'm using the Sadowsky outboard preamp pedal and that really adds a lot of "Sadowsky colour" to the basic sound.

These "Graphite Super-Js" are so instinctively "right" and sound so awsome for funk/slap, that I really think it's about time that someone started producing them commercially (Rob Green, I'm looking at you, here :eyebrow:), don't you think?

Still, if not, they're easy enough to produce as DIY basses, thanks to the mighty Warmoth/WD Music etc. suppliers.

Here's my baby (and new "go to" bass :D), just for the record.

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Rob Green still does the T bass and the vintage series, but for me these aren't quite close enough to being a "Fender" style bass - I'm sure Rob deliberately went off in that direction.

I really wanted something that was as close to a Jazz as I could get, with a Status graphite neck and my own choice of top notch electronics/hardware. That's what pushed me to do these two projects.