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All right glad to hear it.So far im really liking my 210 combo and I think it gets plenty loud and has a unique tone that most class d amps lack.Play on!Mine was just delivered today. Not a light weight amp but it is very loud. I think it's louder than a fender rumble 800 I use to have. I also think the controls are easier to dial in than the Rumble. The class AB has a smoother sound too both soft and loud volume. Very happy with this purchase.
I'll be A/Bing a katana 210 vs my rumble 100 sometime this week so long as my local store's shipment arrives. I can see if they have a rumble 500 to compare it against.Is there anybody else on here that still owns or used to own a class d bass amp that owns a Katana Bass amp now that thinks that the lower wattage class ab Katana has no problem keeping up or comparing to other 210 class d combos.It would be interesting to hear from you pro or con.
Haveyou been to the music store yet?I'll be A/Bing a katana 210 vs my rumble 100 sometime this week so long as my local store's shipment arrives. I can see if they have a rumble 500 to compare it against.
Have
Haveyou been to the music store yet?
Wow What music store is that.Sweetwater has had them over a month now and the Sam Ash,Guitar Centers/Musicians Friend the same here in Ohio.Still haven't got their shipment :/ They thought it would be with their shipment of Katana 50/100's, then maybe a Roland shipment, but still no katana basses. I'm practically dying of anticipation at this point. I left my number so hopefully they'll call me once they get them in.
I played through a new Katana 210 version at GC today. With everything set flat except boosting some upper mids and treble, I thought it sounded great and ballsy. But, with a stock Squire Jazz the headroom seems and is low. It broke up way too early and at a less than typical club gig volume level. No matter how I set the gain, volume, or master I couldn't get it to stop getting dirty or anywhere close to the volume level I can get with my TC BG250 1x12. I don't know if the problem is in the preamp gain structure, the speakers, or power section weakness. I figured with 2 speakers it would be less prone to breaking up than the TC single 12. I tested it with comp, distortion, and effects off. My instincts say the speakers are weak. Finally, I wasn't blasting the volume to test for breakup; it got to breakup level quickly with average volume. This wouldn't work for me as a gigging combo. Too bad, as it sounds good. I played through the Fender Stage 800 2x10, and found no issues with headroom as it has more power and beefy speakers.Hello,
does anybody already have one of these new amps?
is it good?
i have the boss katana artist mk2 for guitar, and it is very very good in my opinion, that's why i am very interested in the 210 bass version,
thanks a lot and have a nice day,
Philippe
I played through a new Katana 210 version at GC today. With everything set flat except boosting some upper mids and treble, I thought it sounded great and ballsy. But, with a stock Squire Jazz the headroom seems and is low. It broke up way too early and at a less than typical club gig volume level. No matter how I set the gain, volume, or master I couldn't get it to stop getting dirty or anywhere close to the volume level I can get with my TC BG250 1x12. I don't know if the problem is in the preamp gain structure, the speakers, or power section weakness. I figured with 2 speakers it would be less prone to breaking up than the TC single 12. I tested it with comp, distortion, and effects off. My instincts say the speakers are weak. Finally, I wasn't blasting the volume to test for breakup; it got to breakup level quickly with average volume. This wouldn't work for me as a gigging combo. Too bad, as it sounds good. I played through the Fender Stage 800 2x10, and found no issues with headroom as it has more power and beefy speakers.
You have to make sure the master is not turned up beyond what you have the gain and volume set because it will distort and is designed to do so.I play a Deluxe Active Precision[18 volt preamp] thru mine with a pretty hot signal into the amp and get pretty loud before anything starts farting out.And the speakers sound good and can take quite a lot as I played a gig with a loud drummer and the guitar player using a Boss Nextone Artist[80 watts] and I had no problem keeping up with no monitor support and actually had some volume to spare.I played through a new Katana 210 version at GC today. With everything set flat except boosting some upper mids and treble, I thought it sounded great and ballsy. But, with a stock Squire Jazz the headroom seems and is low. It broke up way too early and at a less than typical club gig volume level. No matter how I set the gain, volume, or master I couldn't get it to stop getting dirty or anywhere close to the volume level I can get with my TC BG250 1x12. I don't know if the problem is in the preamp gain structure, the speakers, or power section weakness. I figured with 2 speakers it would be less prone to breaking up than the TC single 12. I tested it with comp, distortion, and effects off. My instincts say the speakers are weak. Finally, I wasn't blasting the volume to test for breakup; it got to breakup level quickly with average volume. This wouldn't work for me as a gigging combo. Too bad, as it sounds good. I played through the Fender Stage 800 2x10, and found no issues with headroom as it has more power and beefy speakers.
I played through a new Katana 210 version at GC today. With everything set flat except boosting some upper mids and treble, I thought it sounded great and ballsy. But, with a stock Squire Jazz the headroom seems and is low. It broke up way too early and at a less than typical club gig volume level. No matter how I set the gain, volume, or master I couldn't get it to stop getting dirty or anywhere close to the volume level I can get with my TC BG250 1x12. I don't know if the problem is in the preamp gain structure, the speakers, or power section weakness. I figured with 2 speakers it would be less prone to breaking up than the TC single 12. I tested it with comp, distortion, and effects off. My instincts say the speakers are weak. Finally, I wasn't blasting the volume to test for breakup; it got to breakup level quickly with average volume. This wouldn't work for me as a gigging combo. Too bad, as it sounds good. I played through the Fender Stage 800 2x10, and found no issues with headroom as it has more power and beefy speakers.