- Dec 18, 2000
- 13,201
- 340
- Disclosures
- greenboy designs: fEARful, bassic, dually, crazy88 etc
I myself had planned on getting a DSP into my bass rig by late summer so I could do better half-space testing in the backyard. I'll talk more about this in my next post...
I built a deck off the back of my home which affords a nice area for placing amplification and whatnot, and have about an acre of relatively flat yard with no buildings on it back here. Easy enough to run 50 feet of 10 gauge Speakon to a cradled cab facing upwards, and attach a reference mic to my video boom which can get it as much as 13 feet up into the air.
I don't trust my computer's audio card so much as I would trust my current RTA. But my purpsose was not so much to run a bunch of tests and publish them, so much as it was to incorporate a DSP product into my bass rig and have a real good idea what the cab could do in half-space - without the anomolies and variables introduced by any room's reflecting surfaces and boundaries. That way I could find what DSP settings would optimize the already fine cab at every level from bedroom and studio to loud loud stage.
Alas, I got busy with other things, and now the weather is changing, and I still haven't chosen my biamping and DSP solution ; } ...This would have provided Skip with the measurements he asked for a few pages back, good ones that would at least be useable when comparing to any graphed responses that came from reliable sources and conducted with AES standards in mind.
I must also admit that after doing a number of gigs where I ran the PA from stage as is often the case with club gigs around here, I cared less about testing and optimizing - because the PA was getting the same signal as my LS1503 was, little or no board EQ, and it always worked out well. All my V-bass patches were represnted well both on the dance floor and on stage.
More recently we played a venue with its own decent, room-optimized reinforcement and competent soundman, and the verdict was much the same: little or no board EQ or dedicated compression needed, no mix problems from song to song or patch to patch, no need to run any bass into monitors (because of good cab placement for stage mix) - in general a good one-to-one translation of rig to PA.
We will see if I have sufficient motivation next summer to do a bunch of testing and graphing and optimization... but for now the LS1503 is right and fine, and for me it's more fun to play and listen than it is to drag stuff out onto the deck and beyond ; }
