My main bow is a snakewood bow weighing in at 153 grams. I use this bow for solo work and chamber playing as it is amazingly articulate and projects very well. I've also found that due to exceptional clarity of the bow that the variety of timbres and sul pont differentiations etc. come across much more clearly. The weight really isn't an issue or noticeable as the balance is fantastic. It allows for a much more celloistic quality even in the extreme low register.
For orchestral work I use a lighter pernambucco bow of 135 grams on which I use a much stickier rosin, seems to do the job.
I would recommend at least trying a snakewood bow; Ive owned several bows over the years by Bazin, Pfretchner and Bryant but the snakewood bow a bought as an experiment seems to be the best of the bunch. It takes a while (took me a good two years) to fully adjust to the bow and to get the sound I wanted but once I got it I was very happy and although the initial impression is that the sound is much darker, you can easily get pretty much the same sound as a pernambucco bow. Just my thoughts and experience!
For orchestral work I use a lighter pernambucco bow of 135 grams on which I use a much stickier rosin, seems to do the job.
I would recommend at least trying a snakewood bow; Ive owned several bows over the years by Bazin, Pfretchner and Bryant but the snakewood bow a bought as an experiment seems to be the best of the bunch. It takes a while (took me a good two years) to fully adjust to the bow and to get the sound I wanted but once I got it I was very happy and although the initial impression is that the sound is much darker, you can easily get pretty much the same sound as a pernambucco bow. Just my thoughts and experience!