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Bring your Fretless...

bassbrad

Supporting Member
Aug 17, 2000
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Leander, TX (outside Austin)
So i get a call from one of my song demo clients about a session for today and he asked me if i have been practicing my fretless, 'of course I have' I lied, so he sez bring it. I do a little brush up over the next couple of days, get my tone dialed in, play through some jazz tunes the usual suspects.

Flash to today we set up and the piano player spots the fretless and gives me the stink eye, I say the producer requested it, he said don't trak it live. The guitar player, no slouch on fretless bass btw, threatened to play if it I can't hang. Damn. Like I needed this sort of pressure.

The engineer and drummer come out of the booth and hear the guitar player's comment. The drummer says he charges extra to play jazz sessions because the last time the bass player couldn't groove or play in tune and insisted on extra band trax that he didn't get paid for - more stinky pinky eye. The engineer grumbling about half cocked producer songwriters goes off to check to see if the auto tune is working and what the additional charges will be. Damn more shade.

Feeling less than comfortable I pull a gobo and sort of slouch down behind it an look over the charts. Not too bad and the one marked Fretless is a medium tempo Straight C&W tune with a simple turn in G, no problem.

First tune goes down without a hitch using my Incognito P. Second tune is the Fretless tune so I switch over check my tuning and listen while the guys talk over the arrangement. After a false start it's decide to have a drum pick up so we start over and run it down. Goes off with out a hitch, we listen to the playback there is even a nice little moment in the guitar solo where we happen to harmonize. The guitar player stands up to look over the gobo to give me a thumb up and gets a huge smile when he sees me holding the fretless. The producer starts cussing me out because I wasted a great take by not playing fretless. The engineer is telling him we can overdub, the drummer is throwing stuff and the piano player is kicking has bag around the room in frustration.

I stand up holding my fretless and say no need to worry I played it on fretless and it was fine. It took them 20 more minutes of listening to the track and soloing my part with a tuner to believe it was all played in tune.

Twelve years of classical training and 50+ years playing experience does count for something.

In this world of Alternative Facts sometimes Truth is the hardest lesson, again.
 
Twelve years of classical training and 50+ years playing experience does count for something.

I started music.. a few (OK, several) decades ago on violin (a fretless instrument with a tiny scale length). Fretless bass is a relative walk in the park. Then again, when I play fretless, between the rounds and the ebonol fretboard, nobody ever mistakes it for fretted.
 
I started music.. a few (OK, several) decades ago on violin (a fretless instrument with a tiny scale length). Fretless bass is a relative walk in the park. Then again, when I play fretless, between the rounds and the ebonol fretboard, nobody ever mistakes it for fretted.
Well I did spend a couple of serious years woodshedding on fretless bass too, in fact all my practice and a lot of my gigging was on fretless for several years playing with a sax, pianist and guitarist that both had perfect pitch so my intonation had to be spot on or I would hear about it, even the drummer had a pretty good ear and he would throw things if I got lazy.
 
whooo, with all the shade they were throwing you must have been nice and cool, out of the sun, just hanging out.

I really don't understand what rubs people about fretless basses, lol. Are there really that many people who can't play them?
 
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whooo, with all the shade they were throwing you must have been nice and cool, out of the sun, just hanging out.

I really don't understand what rubs people about fretless basses, lol. Are there really that many people who can't play them?
I've heard a few, but seriously do doubt whether most actually have the intonation sense to actually hear what they claim to hear. BTW I also used to tune pianos.
 
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Way to go -- both in handling the pressure and making your fretless sing.
Thanks for sharing the story and encouraging us all. It's worth the work!

One of the best bass compliments I've ever gotten was from a hired
gun sax player who was on the other side of the stage, after our
first set: "Man, I didn't realize that you were playing a fretless".

Thanks again, and keep bringing it...
 

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