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Bugera VS Hartke

make your choice


  • Total voters
    117
I thought the aluminum cone Bugera was Behringer's copy of the Hartke speaker? If something rules the market, Behringer is sure to copy it. :hiding:
 
My "Bugera" speakers in my old Behringer cab fractured all around the outside and seperated from the cones after oh, 2 band practices? Just as well though because it sounded harsh and tinny for a bass cab. Behringer & Bugera = cheap, unreliable, nasty sounding gear.

I quite like the sound of the Hartke cabs for funk work, but again they sound a bit clinical compared to paper cones.
 
Trevorus said:
Never tried bugera, but hartke seems more prevalent. I happen to like them. I actually play a GK with a hartke 410, and it's not harsh at all.



I had a similar rig for a while, but had trouble with the GK head; it lost it's mind and the volume would fluctuate on its own... never figured it out even after sending it back to GK.
The Hartke/GK sound was good though.
 
cheezewiz said:
Too bad there isn't a choice for "harsh sounding doo doo no matter what name you put on it".
I DI out of my SVT-3 and mic my 410XL and blend at the board. I can tell you there is nothing harsh about my tone at all at the front of house. Besides, the brightness of the Hartke makes for an excellent backline that will cut through anything as a stage monitor.

I've used several different higher-end cabs in the past, and as long as I continue to blend with a DI (to get a good, solid low end), I will never choose another cab.

Of course, Hartke's electronics suck (IMO), but that's a different story.
 
I like the Hartke XL's. They do have a distinctive sound, but not really "harsh", more like "bright and clean". If they are harsh, it may be that you have to EQ differently than with paper cones, or you're using a less than stellar amp.
I'm especially fond of the way they add a percussive brightness to an all tube amp rig.