Edit 7/8/17: Video demoing the instrument is in post #24.
My main instruments are tapping instruments (build 1, build 2.) With this build I wanted to build a fretless bass, but I wanted to continue improving on my tapping instrument design. I incorporated some things that may not be ideal for a standard bass such as; parallel tight string spacing, a flat fingerboard and a minimum body. I was however most enthused about my design that shifts the instrument to the right to combat neck dive.
Normally I don’t make a post until the build is done because it takes me so long to complete. I “should” finish in a week, so hopefully I am not jinxing myself by posting early
Since this was going to be a fretless, I figured I would try some new things (for me) such as a multi-piece neck and a body cap. Turns out these things took way longer than the time I saved from not doing frets.
I started with some wood I wanted to salvage. Last build I wanted to make a maple neck, but the piece of maple would twist and turn every time I touched it. Then I decided to make a cherry neck. It suffered from horrible tear-out. In the end both pieces ended up too small to use as a single piece neck. I decided to make a multi-piece neck for this build using that “scrap”..
I planed both boards and cut them into strips.
I wanted 3 maple and 2 cherry pieces but the maple was so twisted even after cutting that I had to go with 2 maple and 3 cherry.
I learned this trick on line, but of course the threaded part got glued in. I finally got it out.
The plane work I did originally made sure the glued sides were straight and flat. Then it was just a matter of a bunch of work to get the “new” top and bottom flat.
In the end, it worked out. The part with the hole was “extra” and would be cut off later.
Having complete that it was time to see what other wood I had available and to go to the lumber store (I love that place.)
From left to right, I purchased African Mahogany for the body, White Oak as an accent stripe. I had the Sapele (for the body top). On the far right is Padauk (for the fretboard.) I was very excited to find the Padauk and at a very good price. I later learned it wasn’t a very good cut but … I used it anyway. The paduak suffered from “grain reversal” or a wave in the grain (thanks to TB for educating me on this.)
My main instruments are tapping instruments (build 1, build 2.) With this build I wanted to build a fretless bass, but I wanted to continue improving on my tapping instrument design. I incorporated some things that may not be ideal for a standard bass such as; parallel tight string spacing, a flat fingerboard and a minimum body. I was however most enthused about my design that shifts the instrument to the right to combat neck dive.
Normally I don’t make a post until the build is done because it takes me so long to complete. I “should” finish in a week, so hopefully I am not jinxing myself by posting early
Since this was going to be a fretless, I figured I would try some new things (for me) such as a multi-piece neck and a body cap. Turns out these things took way longer than the time I saved from not doing frets.
I started with some wood I wanted to salvage. Last build I wanted to make a maple neck, but the piece of maple would twist and turn every time I touched it. Then I decided to make a cherry neck. It suffered from horrible tear-out. In the end both pieces ended up too small to use as a single piece neck. I decided to make a multi-piece neck for this build using that “scrap”..
I planed both boards and cut them into strips.
I wanted 3 maple and 2 cherry pieces but the maple was so twisted even after cutting that I had to go with 2 maple and 3 cherry.
I learned this trick on line, but of course the threaded part got glued in. I finally got it out.
The plane work I did originally made sure the glued sides were straight and flat. Then it was just a matter of a bunch of work to get the “new” top and bottom flat.
In the end, it worked out. The part with the hole was “extra” and would be cut off later.
Having complete that it was time to see what other wood I had available and to go to the lumber store (I love that place.)
From left to right, I purchased African Mahogany for the body, White Oak as an accent stripe. I had the Sapele (for the body top). On the far right is Padauk (for the fretboard.) I was very excited to find the Padauk and at a very good price. I later learned it wasn’t a very good cut but … I used it anyway. The paduak suffered from “grain reversal” or a wave in the grain (thanks to TB for educating me on this.)
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