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C Standard/Stoner Doom string gauge?

I'm wondering about what people use? I've seen people recommend getting a 5 string set and throwing away the bottom string, however in Stoner/Doom at least on guitar there's a tradition of using looser strings as it encourages a "loser" style of playing with lots of bends.

I recently swapped the stock strings on my J&D Jazz Bass out for some Rotosounds, the E string is 105 gauge. my guess is the stock was probably 100. It's obviously a bit loose but I'm mostly happy with the sound.

I'm curious does anyone else downtune on "Standard" gauges? I see people with 35 inch scales not happy with 115 and that seems wild to me.

I will say though that there's definitely a difference using fingers and pick doing this. I find the Rotosounds better than the stock strings for downtuned fingerstyle, but using a pick definitely tightens things up.
 
I'm wondering about what people use? I've seen people recommend getting a 5 string set and throwing away the bottom string, however in Stoner/Doom at least on guitar there's a tradition of using looser strings as it encourages a "loser" style of playing with lots of bends.

I recently swapped the stock strings on my J&D Jazz Bass out for some Rotosounds, the E string is 105 gauge. my guess is the stock was probably 100. It's obviously a bit loose but I'm mostly happy with the sound.

I'm curious does anyone else downtune on "Standard" gauges? I see people with 35 inch scales not happy with 115 and that seems wild to me.

I will say though that there's definitely a difference using fingers and pick doing this. I find the Rotosounds better than the stock strings for downtuned fingerstyle, but using a pick definitely tightens things up.
Rotosound what?
 
I recall your name in the Mikro club. If so, you likely know what a 105 tuned to E feels like on it. Tune a 34" scale down to C# and it would feel like the E on a Mikro. I've read that the 110 in the Steve Harris and heavy set in the 77 Monel flat series is used quite ok as C1. The tension is around 32lbf. Certainly in playable territory. The 110 in the Roto 66 swing series rounds would have a much looser feel though. Only 26.5lbf. Not much more than the 105 downtuned to C. The 115 is available and though it's tension is not known (It's not part of any 66 set, so no tension spec) it is probably around 30lbf as C1. Playable if you like loose.
I tune C# standard mostly, and I use gauges in the ball park 50 70 095 130
But I like a firmer lowest string, which I infer you are wanting to avoid
 
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yeah, Swing 66
Swapping in a Roto 66 115 for the 105, along with the remaining Roto 66's ( I'm assuming 045 065 080 from the standard set and not the RSSLF which has an 085) would look like this

CFBbEb Tuning

Frequencies

C1/32.60hz
F1/43.65hz
Bb1/58.27hz
Eb2/77.88hz

Gauges 045 065 080 115

C1/.110/29.60lbf
F1/.080/27.60lbf
Bb1/.065/32.31lbf
Eb2/.045/30.40lbf

TT = 119.91lbf

Be interesting to read what gauges Al Cisnero uses. One of the godfathers of Stoner Rock one would assume.
 
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Scott Reeder (Kyuss etc.)

Scott Reeder: “I play left-handed but the bass is strung right-handed, so I can’t just walk into a store and try a bass. Not one!”

”I have two other Warwicks - a Thumb with a lot of midrange growl, and the Katana, which has a beefier, low oomph to it. I use the Katana mainly for Fireball Ministry which is detuned and kind of doomy. I always use medium-gauge strings from 45 to 105, but tuned down to C# standard so the strings are pretty loose and squirrely and I can get huge bends. I tried thicker gauge strings for the low tunings, but it’s too stiff to get those bends, and end up going dead too quickly.”

"I also use Dean Markley strings, I’ve been with them for nearly 30 years, mainly Blue Steels.”
 
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Stiffer hex-core strings like GHS Boomers like to be tuned to C more than lighter-feeling strings. I do feel that doom tones are pretty floppy. It all comes down to what kind of feel you like. I've tuned .105 sets down to C for recording and it sounded fine.

I don't think I'd be inclined to go over 110 unless the looseness was really bugging me. I like tighter strings for playing faster music, because I feel like I'm chasing light strings around the fretboard, but "chasing" has a different meaning when you're playing at doom tempos.
 
there's a tradition of using looser strings as it encourages a "loser" style of playing with lots of bends.

Sometimes spelling does matter.

A 125 for a low C is in the neighborhood of 35 pounds (low but usable tension) for a 34 inch scale. For a 35, you could get away with a 120, but I wouldn't go lighter. 90, 70, 50, would be good gauges for the other strings going up in fourths (assuming C standard tuning)
 

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