How would you describe the sound of an avatar compared to an Epifinal UL 410 or a Bergantino 410 or even an Aguilar GS410?
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I can describe some of these manufacturers 210 cabs to a Avatar 210. But this is JUST my opinion...Hope this might help some...How would you describe the sound of an avatar compared to an Epifinal UL 410 or a Bergantino 410 or even an Aguilar GS410?
("stuff you guys say")Yeah, I saw Bill's speech too - and regardless of all the "same drivers, same wood" stuff you guys say,
- georgestrings
("stuff you guys say")
Nope...
Truth, is the truth...
Facts, are facts...
If your ears say that Avatar's front shelf ported, extended x-max, Eminence loaded cabinets aren't your sound...it's all still good...certain models of Ed*n and certain models of Amp*g, some Peav*y's, M*rkBass's, Galli*on's ect., ect., cabinets don't float my boat.![]()
As far as the components/cabinet build ect., ect., don't take my word for it.Dude, you sound just like the guys that compare their SX basses to Fenders... Honestly, do you really think that Avatar cabs sound as good as those by Berg, Mesa, etc...???
- georgestrings
As far as the components/cabinet build ect., ect., don't take my word for it.
Go to the various brand-name manufacturers web-sites. Most will give the build specs in detail as Avatar does.
You'll find what BillF and I say to be true.
As to sound compairsons...it's subjective to each players sound goals.
But, in my case...Yes! I do find Avatar's 210 Neo cabinet to be as good as, and better than most of the other brand-name manufacturers 210 cabinets.
When I was putting together my 210 vertical 410 I was able to locate and audition 14 different models of 210 cabinets.
To my ears the Avatar Neo 210 sounded as good as, or in most cases, better than other 210 cabinets costing twice or more as much.
As I posted earlier, I though the Berg AE210 was a great sounding cabinet.
I just didn't feel it was $531.00 better than the Avatar.
Logically speaking, though - *if* Avatar was *as good*, one would think their business would be exploding, and the others declining - given the extreme price differences between them...
A colleague of mine at AudioXPress magazine related an experience as a repairman. He worked for the #1 retailer of high end audio in Boston in the 70s, his specialty was aligning FM tuner front ends. Said store, I'll call it 'ABC Audio', charged $150, and no one complained about the price. He started his own shop, did the same job, but only charged $75. His first few customers typically said "Nice job, but not as good as when ABC Audio did it last", not knowing he was the person who'd previously done it for him.Since when did consumer preference have anything to do with logic?![]()


Since when did consumer preference have anything to do with logic?![]()
While it's true that not every OEM driver is the same the fact of the matter is that the variation is specs between all the options possible from a single frame/motor is on the order of plus/minus 20% at best, at that's at the extreme end of the scale. Plus/minus 10% is more the norm. And there's always a robbing Peter to pay Paul scenario involved, whatever you gain in one area by changing one spec will be given away in a different area with another spec, or two or three, that's also changed in the process. So while many cab manufacturers would lead you to believe that they have super-duper special drivers that no one else can even come close to, let alone duplicate, it just ain't so.Well, a few "truths" and "facts" that Bill and shoot-r left out are that although Eminence makes drivers for most major cab manufacturers, they also typically make those drivers to the specs and design parameters those companies give them - most of which are also kept confidential...
I have, and while impressive, it's a long way from perfect; their bracing scheme, for one thing, is heavier and less effective than other much lighter options. And it's flawed from an engineering standpoint, putting most of the added stiffness in the cab corners, where it does the least amount of good. True that Avatar is weak in the bracing department, but one could brace an Avatar to get a better result than the Mesa scheme with a quarter the weight and at a cost of less than $20. And Avatar is hardly the worst offender where bracing is concerned, the complete lack of which can be seen in other cabs at far higher price points.If you've ever looked inside of a Mesa cab, you'd see what I'm talking about in regards to "better construction"...
I have, and while impressive, it's a long way from perfect; their bracing scheme, for one thing, is heavier and less effective than other much lighter options. And it's flawed from an engineering standpoint, putting most of the added stiffness in the cab corners, where it does the least amount of good.
I can't say what I saw the inside of, it was a pic posted here awhile ago. Odd that Mesa doesn't have pics on their site, though.Have you looked inside any of their bigger cabs??? The reason I ask is, what I've seen inside the PH610, PH810, and PH215 directly contradicts the above...
- georgestrings
I can't say what I saw the inside of, it was a pic posted here awhile ago. Odd that Mesa doesn't have pics on their site, though.
I have to say I don't know how it is nowdays. But before SWR was bought by Fender they would use PAS,Eminence or Celestion. Just to be able to keep production going. I know right before Fender bought them they went thru a 6 week period where they couldn't get enough speakers from anyone.To be honest, your bit about speaker differences comes off like a spin job...
- georgestrings
After exchanging thoughts here the other day with Will (he seems like a nice person - thank you Will) I did some experimenting and I think you should follow Wills advise.
I can't say what I saw the inside of, it was a pic posted here awhile ago. Odd that Mesa doesn't have pics on their site, though.
Well thanks, I appreciate it, try to help where I can. That said, whatever bit I do know about this acoustics/speaker stuff I learned from reading and following links posted by others on this site and in this thread who actually are professionals so you can defer some credit their way.
A little education goes a long way. Doing things that acoustically make sense, or at least make the best of what you have, has saved me a whole lot of headaches....and money.....and has resulted in myself and whatever bands I'm in sounding better/more professional so yes, the science really does work.