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Can a J Bass "cut through?"

It's "brah" where I'm from.

Back off the bridge pickup just slightly, and you get a lot of low-mids. Cuts through a rock mix just fine. Or, back off the neck pickup just a bit and you get lots of upper-mids. I don't find that that tone works so great in rock/metal, but I'm sure many will disagree.

I went through several jazz basses before realizing that the character of the mids (read: how the bass cuts through a mix or not) is all in the balance between the two pickups. Now those always great feeling basses actually sound like I want them to as well. :D
Cheers.

Is this a serious question?
It might be.

Sure they can. Forget the bass: You're not holding your mouth right.
Wha?

I use a Geddy Jazz with steel strings and believe me it cuts through. It doesn't hurt that I run it through GK gear. :)
Steel strings and GK amps, I will look into those.

They cut through very well, much better than most basses typically used in heavy rock and metal.
The thing is, cutting through isn't what you typically expect in metal. It's more about rumbling the stage. JBs aren't that good at it.
Wow, that does put things into perspective.

Is it possible to annoy your guitarists by playing audible basslines and make car alarms go off?

You're kidding, right ? (if not, someone is giving you bad information)

One of the things J Basses are best at is "cutting through".
Yeah, I need to stop listening to other people about Bass info.

Active emgs would make a jazz cut through less not more.
How so?
 
I always hear that one of the only cons of owning a J Bass is that it just doesn't cut through the mix in a rock or metal environment.

Is this generally true? Could active EMGs fix this?

Nope, they can't. Total pieces of crap, j basses are. Just ask Geddy Lee, Flea, Les Claypool, Geezer Butler, Frank Bello, Janis Tanaka, Mike Levine, Duff McKagan and a whole host ofothers that a jazz bass can't cut it.

Then send all jazz basses to me, I'll put you out of your misery....:D
 
ask these guys
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J basses work very well for cutting through the mix. Steve DiGiorgio played a Jazz Fretless (always fretless with that guy) on Individual Thought Patterns. It cut through the mix very well.

I agree on the mids and high mids.

Rush isn't metal.
 
I played mostly my Jazz last weekend while up in Raleigh recording with my buddy, and it cut through the mix like a farkin' knife. Jazz bass bridge pickups own. Mids are your friend if you want to cut through, though. I found that giving the 900Hz range an extra boost helped a bit, too. I guess the fact I had a brand new set of strings helped as well, but I'd say it has a lot more to do with your EQ.
 
i tend to take a different approach to cutting through with a jazz than most. i find the bridge pickup to be anemic and gross, so i turn it off. no more phase, no more thin nonsense. dial in a crap-ton of high mid on the neck pickup and remove lows or low mids as necessary to reduce boom.

touch of overdrive and played aggressively, im in heaven and bulldozing my way through the mix.