I don’t know either - to me it sounds like his tone knob is on full, but that’s what I do when I play flats too; with rounds I’m usually around 20-50% on, keeping my amp EQ mostly flat in either case. I’d guess he likes that amount of highs with that amount of lows.Including me. I'm saying that when I hear his tone, it sounds like a guy deliberately EQing as much brightness into a flatwound situation as the strings will allow. Why do that when roundwounds provide that tone organically? Only Steve and his sound techs know.
I find the thing with flats is that you *can* EQ with non-cut highs and don’t get all the zingy brightness of rounds. Sometimes I’m looking for that zing, usually I’m not. EQing flats that way gives you enough highs to cut and sing without taking heads off.
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