lol, do you guys really think Matt Freeman cares about key signatures and missing notes, and then being pulled apart by some nerds on TB whilst he's touring the world and making a living?
TalkBass has been independent since 1998. Add your voice.
Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
Join free Log in
Want zero display ads or expanded classifieds tools? Compare plans.
lol, do you guys really think Matt Freeman cares about key signatures and missing notes, and then being pulled apart by some nerds on TB whilst he's touring the world and making a living?
Just a bunch of noise!
Check this guy playing with fingers
Amazing !!!
http://es.youtube.com/watch?v=BdlQNmy6PiY
Invalid Link Removed
I'm well aware he probably doesn't. Additionally, I'll probably go so far as to say my dislike for him is a bit misguided. So far as I actually care, he can go on sucking all he wants. My anger is more in response to people who think that he is the best at what he does. There are a handful of punk bassists that I think can absolutely slay him, and instead of getting their due credit, they get overlooked in favor of Matt Freeman. And as much credit as he gets for the solo in "Maxwell Murder", I think it's fair that somebody be vocal in opposition once in a while, just to balance things out.
Speed and soloing aside, there are many examples of very tasteful bass playing on the Rancid records. Everyone always comes back to the soloing...or the super fast stuff, however there is a whole catalog of music that is quite different from that stuff with Matt Freeman playing versitile lines. I say this being a huge fan, but then again I've listened to all of the records. I guess you either like it or you don't.
Fast, but where's the FEEL?????
LESS IS MORE!
"Music today is merely the art of executing difficult things; and in the long run what is merely difficult is not pleasing."
-Voltaire, 1759
"Slow down, you move too fast."
-Simon, 1966