• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Double Bass carruthers sub-1 and strings

Hi am new here. I play the above instrument and have in the past year switched from d`addario hybrids to pizzacatos.(back in may) I have been amazed at the higher frequency reponse. As have my fellow musicians. A full half octive use--and more consistency between strings at the high g level. I play through a GK400rb3 with max contour level through a peavy 2-10. Wonderful JAZZ sounds. A full half octave above high G I should say--ooops. I don`t think the difference between the various eub`s is all that great. It`s more the player. I teach bass--learned on old plywood basses 40 years ago,have had students that sound great on a Kay!--with substandard strings. Press down hard with the left hand and hurt for a while--maybe a year or two. Hurt on the left side of your body---hands,forearm,shoulder,back,and chest--pump that left peck!! Get callouses on your right fingers. Kill the midrange whenever you can, because that is what makes the whooomf, or cardboard sound. Also, I have seen mention of the acoustic value of certain instruments in this forum. That will happen to a certain degree. But, YOU ARE PLAYING BASS! So, it will only happen at higher levels if at all. The speaker cabinet is your "acoustic" replacement for the "doghouse". Actually, I would prefer that carruthers would have NOT hollowed out the body and the neck. See LES PAUL guitar! Sustain is where it`s at--and even so, my instrument has 15-20 seconds of it.That`s where the sound is so different from an electric bass guitar.I have played with a 79 year old guitar player for 15 years who switched from a L65 gibson to Godin solid body---He didn`t sound any different!!
 
Hi there.
I'm not sure what's your point exactly.
It'd be a good idea to fill out your profile so we can know more about you whenever we want to:
http://www.talkbass.com/forum/profile.php?do=editprofile

You seem to like a fretless BG kind of tone.
Maybe you should switch to another EUB?

I'm in the opposite direction you are.
I also own a Carruthers SUB-1 but am more interested to get a more DB-like tone.
I've mostly like the instrument with orchestral type strings.

Well, to each his own!
:)
 
Hi Francois, I guess it depends on the music you wish to play...Maybee..But, I play gypsy jazz, bebop, neobop, funk ,rock. I play regular gigs, weddings, wine tasting`s...Whatever. The major point was the d`addario strings (pizzacato) expanded the tonal quality to a decernable degree. The 79 year old guitar player I referenced before was quite amazed after the string switch. " Where did you get all the highs?"......and the sustain.More consistency between all strings without dropoff. They are high tension strings, which require more effort, but allow lower action. Which I haven`t exploited yet. I have 6mm on g and 9 on e. I teach jazz ensemble at the local community college-Wenatchee Valley College. I haven`t bowed yet on these..but I think you could--with effort. I`m pretty sure all the greats have this . Christian Mcbride, Ron Carter, Stanley Clarke, David Frieson (who now plays an eub pretty much exclusively).And John Clayton. Im` guessing ....but I think that`s so.